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Magazine
In the photographer's eye: CARS


by Editor Michel Romaggi 
Edited and published by Yvette Depaepe, the 30st of October 2026

 

Today, the car tends to be just a tool like any other, despite having been a symbol of emancipation, freedom and dreams for generations. Yet it continues to inspire photographers. Whether it occupies a central place in the image or blends into the scenery, it offers multiple possibilities for interpretation.


PORTRAIT

Old cars, abandoned cars, luxury vehicles, utility vehicles, family cars and sports cars can all become the subjects of a portrait gallery.

“You will smell him passing ….” by Peter Ebel



“Alpine” by ATTILA SZABO

 

The photographer can either show them in their entirety, or focus on a specific detail of their anatomy.

“Renault 4CV” by Rico Cavallo

 

 

 

“Austin Haeley” by Mr.G.

 

 

 

“US classic car Sedan Deville 1959 tail fin abstract” by Beate Gube


 

Classic cars are a popular subject, 

 

P 094706 by Svetlin Yosifov

 

 

“The bride’s car” by Jose C. Lobato

 


Even more so when they are abandoned. Once symbols of modernity and progress, they gradually become objects marked by time, covered in rust and sometimes overtaken by vegetation.

“red forest” by Holger Droste

 

 

 

“The Old Hudson” by Anne Berger

 

 
IN MOTION
Movement can be the focus of an image. Rather than simply photographing a car, the focus becomes capturing the feeling of speed, the energy of movement, or the transience of a moment.

“Cab” by Masatoshi Ujihara

 

 

 

“Malecon” by Andy Bauer

 

 


IN THE NIGHT
Headlights, taillights, deserted car parks, petrol stations and illuminated roads, as well as reflections on wet tarmac, form a visual universe in which the car can appear as a silhouette, a light source or a mysterious presence.

“Freeway to he Stars” by Peter Davidson 

 

 

 

“In the theeth of cold winds” by Yvette Depaepe

 

 

THE CAR AND THE HUMAN BEING

A hand on a steering wheel, someone cleaning their car, a driver seen in their rear-view mirror, someone waiting inside, or a family travelling: these are just some of the scenes that illustrate the uses, habits, and emotional ties associated with the automobile.
The car then appears as an extension of the individual, a social marker or an element of their identity.

“Portrait of a taxi driver” by Subhajit Das



 

“drive” by fyb

 

 

“Car Repair” by Inge Schuster

 

 


AN INTIMATE PLACE

The cabin is a world unto itself, occupying a space halfway between public and private. The interior of the car thus becomes a place for solitude, waiting, reflection or escaping the outside world.

“Asleep” by Stephanie Kleimann



 

“Reflection” by Vasil Nanev

 

 

 

REFLECTIONS

 

“America is watching you” by Hervé Loire

 

 

 

“Car & Wall” by Lus Joosten

 

 

THE CAR AND LONELINESS
An isolated car in a vast environment, such as a deserted countryside, beach, mountain or arid landscape, or an empty car park. Faced with such vastness, the vehicle may appear insignificant and vulnerable, or it may embody a promise of freedom and escape.

“Down the road” by Larry Deng APA
 

 

 

“The Moravian Serpent” by Izabela Laszewska-Mitrega / Darek Mitrega

 

 


THE TRACES
We no longer photograph the cars themselves, but rather the traces they leave behind. The car itself is not necessarily visible. Instead, it is suggested by what remains after its passage, or by the space it has momentarily occupied.

"Parking Bays” by Hans-Wolfgang Hawerkamp

 

 

Untitled by Sherry Akrami

 

 

AN ELEMENT OF THE LANDSCAPE 

 

A photograph does not always have to feature a car as its main subject. It can also blend into the background, become a secondary element, or help to create a balanced composition.
 

“no1” by Alper Hasan ÜKE

 

Sometimes, it adds scale, colour or a human presence to a landscape.

 

“hors des sentiers battus” by Piet Flour

 

In other cases, it is part of a minimalist urban scene or becomes an almost imperceptible detail.

 

“go” by Alfredo Caridi

 

 

“Walk alone” by Marius Cinteza

 

Aerial photography, particularly with the help of drones, provides a unique viewpoint. When viewed from above, cars lose their individuality and become just another form.

“Repetition” by Mihai Bogdan R

 

 

 

“Bridge” by Jure Kravanja

 

Vehicle alignments and saturated car parks can create almost abstract paintings, where the cars blend into the image's lines, rhythms and patterns.

“Trafic Jam” by Wayne Pearson

 

 

“Parking” by Jure Kravanja

 

It can also be the subject of creative production, allowing the creator to let their imagination run wild. 

 

“Destruction of the environment” by Sulaiman Almawash

 

 

“FireStorm” by Marcel Egger

 

These different approaches transform the car from a mere photographic subject into something much more significant: a means of viewing our daily lives differently.

 

Write
Fantastic selection, thank you.
Excellent work, as always. A very interesting selection. A million thanks for including me in this. Best regards.
Thank you Michel and Yvette, I’m touched that you’ve chosen my photo for this theme. This photo of my daughter asleep on the way to our holiday destination means a lot to me. A lovely selection of photos of this mode of transport, which is still part of everyday life for many of us and which often carries so many stories. Thank you very much and congratulations to all the photographers
Excellent car series! Congratulations, Michel! And many thanks for including one of my photos!
Results Contest - Autumn's wonderful mood

by Yvette Depaepe
Published the 28th of October 2026

 

'Autmn's wonderful mood' 
Autumn is one of the most rewarding seasons for photographers. Vibrant leaves, misty mornings, and golden light can transform an ordinary scene into something unforgettable. But as inspiring as fall colors are, they can also be tricky to capture. Dull skies, flat light, or oversaturated tones often leave images looking less impressive than what you saw in the field. Enjoy the many and colourful autumn submissions.
The winners with the most votes are: 
1st place : Olexandr Shpyek

2nd place: Antonyus Bunjamin (Abe)
3rd place : brigitte van krimpen

Congratulations to the winners and honourable mentions. 
Thanks to all the participants in the contest 'Autumn's wonderful mood'

 


Current contest theme is 'Dusk Photography'
Dusk Shots are an excellent photography time because of the unique combination of natural light and deep shadows it produces, making beautiful pictures. This time occurs shortly after sunset, when soft, spread-out light illuminates all the colors and details. For successful dusk shots, one should know how light, composition, and technical settings interact with each other.

This contest will end on Sunday the 8th of November at midnight.
The sooner you upload your submission the more chance you have to gather the most votes.
If you haven't uploaded your photo yet, click here.

 

1ste place: by Olexandr Shpyek
 
 
 
2nd place: by Antonyus Bunjamin (Abe)
 
 
 
3rd place: by brigitte van krimpen
 
 

HONOURABLE MENTIONS
 
by Rolf Endermann
 
 
 
by Piet Haaksma
 
 
 
by Alessandro Traverso
 
 
 
by Ralf Schoppe
 

 
by Paolo Bolla 
 
 
 
by Els Brouwer

 
 
by Marina Novopachina
 
 
You can see the names of the TOP 50 here.
The contests are open to everybody except to crew members.
Submitting images already published / awarded on 1x is allowed.
Write
Wonderful photos
👍 For everyone!
So beautiful! Congratulations to everyone!
Congratulations to everyone! Very atmospheric pictures!
so beautiful all of them!! congratulations!
Susan PRO
All are lovely !
Hmm...AI on 1 and 2?
1 and 2 look AI...
Great done! I like it!
Beautiful photographs, splendid autumn colors. Congratulationsw to all.
Than you!
Congrats to all , beautiful work
The liquid eye: a perfect reflection on the surface of the water


by Editor Miro Susta
Edited and published by Yvette Depaepe, the 26th of October 2026


A windless morning by the lake is like a blank sheet of paper. When the water’s surface is so smooth that the sky and the earth appear to merge, a magical symmetry emerges. There are moments in nature when the world holds its breath. Anyone who has stepped onto the shore of a secluded lake at dawn or sunset will know this feeling of absolute stillness.


“Dawn” by Alexander Kiyashko



The water is so still that it looks like glass. Not a breath of wind disturbs its surface, and not a single boat breaks its tranquillity. Sky and earth merge to create the perfect illusion, where 'up' and 'down' lose their meaning.

“... Kirkjufell” by Raymond Hoffmann



For photographers, these rare moments are pure luxury. But how can we capture this magical symmetry so that the tranquillity of the scene is palpable in the photograph? Why do we sometimes break the most important rules of photography in pursuit of the perfect reflection? And why is it worth getting up before sunrise to achieve it?

“The Art of Frozen Time” by Yvette Depaepe



Reflections in lakes, ponds and rivers provide photographers with plenty of opportunities to create striking images. However, depending on the weather and lighting conditions, achieving the desired effect can sometimes be tricky.

“Blue Hour Scenery” by Kaxelsenfoto



In this article, we take a journey to some of the world's most tranquil waters to explore the art of capturing the perfect reflection, from the magical moment itself to choosing the right camera angle.


„Tranquillity“ by Þorsteinn H. Ingibergsson



Perfect timing: The early bird catches the best light.

A perfect reflection is a fleeting gift from nature. If we want to capture it, we'll need to set our alarm clocks. The best time to do so is in the early hours of the morning, just before and during sunrise.
At this time, the air is calm and there are hardly any thermal winds to disturb the surface of the water. Furthermore, the soft light of the ‘quiet morning hour’ creates a deep, almost painterly colour palette, which is perfectly mirrored on the calm lake. As soon as the sun warms the ground or the first day-trippers appear, the magic usually ends.

„Golden Sunrise Lake” by Lola Muñoz Jaraiz

 

 

Sunburst Solitude by Jenny Qiu



The perspective: Eye level with the water.

A common mistake is taking photos from eye level while standing. The rule is: 'The flatter the angle to the water’s surface, the more intense the reflection'. Don't be afraid to get your trousers wet — crouch down and use your camera's flip-out screen just a few centimetres above the water.
From this extremely low angle, the lake will appear vast and even small reflections of clouds or trees on the opposite bank will be magnified to monumental proportions.

 

“Mount Taranaki” by Yan Zhang

 

 

“IRenkowo” by Piotr Krol (Bax)

 

 

“Reflection” by Yuan Su



Composition: Breaking the Rules for Perfect Symmetry.

In photography, the first rule you usually learn is the rule of thirds, which states that the horizon should be placed in the top or bottom third of the frame. However, when capturing reflections of absolute tranquillity, it is best to deliberately break this rule.
Place the horizon exactly in the centre of the frame. This 50:50 division creates a visual illusion that enhances the image. For a moment, viewers lose their bearings as to what is reality and what is a reflection.

„A Night at Kirkjufell” by Simon Roppel

 

 

“Morning at Ra Gusela” by Lubos Balazovic

 

 

“Reflection of Fitz Roy” by Yongnan Li


Movement in the water.

Is the water’s surface too still, creating a picture that is too harmonious for our liking? If so, we can create some movement on the surface of the water. We could throw a stone into the water or splash water from the edge towards the centre, for example. However, we need to act quickly to capture the movement before it subsides.

“Cathedral Cove” by Yan Zhang

 

 

“Little hut” by iDs

 

 

“Dancing Trees (Sumba, Indonesia)” by Luba Chapman



The picture anchor: Why perfection needs a disruptive element.

Although a flawless reflection is fascinating, it can seem monotonous over time. A powerful photograph needs an eye-catching visual anchor. This could be a solitary wooden jetty jutting out into the frame, an autumn leaf floating on the water or a rock, or even a single boat. This deliberate break in symmetry provides a focal point and tells a story of solitude and peace.

“The season of photography” by ugurgurtekinn

 

 

“Morning of Haling Peak” by Yongnan Li (李永男)

 

 

Untitled by Leeian Dai

 

 

“Always tempting” by Isabella R. Gerich


In short, reflections can make a photograph more appealing. They introduce a new visual dimension and prompt the viewer to think. Through them, the distinction between reality and reflection can become blurred, resulting in interesting photographs.

 

“Reflection in Torres del Paine” by HJ Yang

 

"THE GOLDEN SILENCE" by Adam Pachula

 

 

“Relax on lake” by Miro Susta

 

“coldest morning” by Norbert Maier

 

 

“Night Mirror” by Szabo Zsolt Andras

 

 

“A Human Presence in Autumn Waters” by YANGYING

 

 

“Autumn Stillness” by Shungo Yamamoto

 

 

“Reflection” by Iztok Besedic

 

 

“Reflection Mt. Fuji” by Takashi Suzuki



Photographing reflections requires mindfulness and patience. A mirror-smooth lake invites you to pause and capture the tranquil beauty of nature rather than simply applying technical skills. Nature creates the most beautiful works of art – you just have to press the shutter button at the right moment.

 

“Eternity” by Chris Moore


Please refer also to my related article
Reflection Photography published in 1x-Magazine in June 2026.

www.mrsphoto.net
[email protected]

Write
Beatiful work
Thank you Brigitte
Breathtaking works! Thank you to Yvette and Miro for bringing us this beautiful showcase, and congratulations to all the talented photographers.
Thank you very much Yuan Su
I really like the sense of peace that this gallery brings, some absolute gems on display
Many thanks Nick, glad to see that you like it
Absolutely beautiful collection of landscape that had water reflection. I really enjoy these images. Thank you editors and congratulations to all authors.
Thank you very much dear Donna for nice words of praise
Thank you for sharing such beautiful landscape photographs, with their captivating interplay of light and shadows—scenes I have never seen before. Although I have never experienced the atmosphere of these places firsthand, I am truly amazed by the beauty captured and preserved by these selected artists. Congratulations to all the artists on their outstanding work! My thanks also go to Editor Miro and my dear longtime friend, Yvette, for giving us the opportunity to enjoy this beauty. ❤️
Great thanks for your wonderful words of encouragement dear Jay, we are happy to see that you like it
Wow... breathtaking good. Thanks to all, especially to Miro and Yvette and my congratulations to all photographers who's pictures are shown here... Beautiful.
Many thanks for your wonderful words of encouragement dear Roland, we appreciate it very much
Thank you so much, Miro and Yvette, for featuring one of my photos in such a wonderful article! I'm truly honoured.
You are most welcome Leeian, thank you words of praise
Bravo, wonderful pictures..
Many thanks Robert
Beautiful images and article. Great efforts. Congratulations!!!
Thank you very much Bjng Yu
Excellent article with the beautiful collection of the striking, fine works! Congratulations!
Many thanks for nice words of praise dear Wanghan
Thank you for this inspiring "reflection" about reflections on the water surfaces illustrated by stunning photographs from talented photographers. A beautiful reminder of how reflections can offer fresh perspectives and deepen our experience of nature and landscapes.
Thank you very much for your nice words of encouragement dear Christof we appreciate it very much
Excellent views to outstanding, impressive compositions and mood! Congratulations on all of artists!
Many thanks for nice words of praise dear Angelika
Great work in every view and brilliant photos, thank you.
Thank you very much for nice words of encouragement dear Giampiero
Thank you Yvette and Miro to choose my 2 shots on this wonderful magazine. Love it so much..
You are most welcome dear Yongnan
A perfect title for a wonderful article, excellent collection of images Thank you Miro and Yvette
Great thanks for your wonderful encouraging comment dear Rana, we are very happy that you like it
Thank you for publishing! Thank you Yvette and Miro!
We are glad to see that you like it Thank you for your comment Alexander
Magnificent images and brilliant work! Thank you for sharing and thank you Yvette and Miro!
Many thanks for nice words of praise dear Svetlana
My compliments for all the photographers. What a joy to look at these beauties. Thank you for sharing and thanks for publishing!
Thank you very much dear Greetje, we are happy to see that you like it
Feet First


By Editor Jane Lyons
Edited and published by Yvette Depaepe, the 23rd of October 2027

 

“My feet can't stop dancing. The rest of me is exhausted.”
(overheard on a NYC subway)

 

“Perspective” by Ella Waldman

 


Is anyone looking for something interesting to photograph?
Try looking down. There's a whole world of photographic possibilities right under your feet!

Take Matt Stuart's photograph of Trafalgar Square, for example. By getting his camera down to pavement level, he transformed an ordinary pigeon into the star of a wonderfully amusing street scene. The bright red feet strutting across the foreground, with pedestrians hurrying along behind them, transform an ordinary moment into something extraordinary.

 

 


That's the beauty of looking down.
Feet are always up to something.
They dance, dangle, tiptoe, stomp, shuffle, and occasionally find themselves in the most unexpected places.
They can reveal character, suggest a story, or transform an ordinary scene into a visual joke.

 

“The city of puddles” by Masahiro Miyagi

 

 

“Look at this” by Linda Wride

 

 

“Skater Girl” by Howard Ashton-Jones

 

 

“Can you wear my shoes?” by Stefan Miron


 

“Sisters” by Aniela Rusu

 

 

“Seasonal workers” by Emir Bagci

 

A change in perspective.
We spend so much time looking straight ahead that we forget about the world below our knees. Feet have a life of their own. They hurry, hesitate and wander off, occasionally landing us in hot water. If you get down to their level with your camera, even the most ordinary pavement can suddenly become a stage for something extraordinary.

 

“Window Stories” by Rahat Amin

 

 

“Happy Feet” by Prateek Dubey

 

 

“Red Boots” by Dragan M. Babovic

 

 

“Praying” by Ulrike Morlock-Fien

 

 

“Barefeet” by Jane Lyons

 

 

“None But The Lonely Hearts” by Laura Mexia

 


Scuffed sneakers, polished boots, impossibly high heels and a pair of well-worn slippers can tell us quite a lot about their owners.
And what about bare feet? They have absolutely nothing to hide. Sometimes you don't need to see a face to know there's a story worth telling.

 

“Two Feet Above” by Rafael L. Bardaji

 

 

 

“Cute Feet” by Kayanti Kootz

 

 

 

“Ruby Slippers” by The Jar - Geir Jartveit

 

 

 

“Mad Madrid” by Alejandro Marcos

 

 

“Dangling Shoes” by Burkhard Achtergarde

 

 

 

“I’m not male” by Mohsen Etemadifar

 

 

 

“On the Road” by Laura Marchetti

 


Feet can play surprisingly good tricks on the eye.
Move your camera a few inches, change your angle, or catch a reflection, and they can appear larger than life, as if floating in mid-air or walking where no sensible foot should tread. Changing your perspective can lead to some wonderfully improbable discoveries.

 

 

“Black dominant” by Bolandrotor

 

 

 

“Surprise” by Stefano Corso

 


* This series was designed to inspire current members, but it has also been an opportunity to look back through the archives and rediscover some of the brilliant work submitted over the past 19 years. Many of these photographs deserve to be seen again, and I hope revisiting them inspires new work for years to come.

Write
Great concept - great images!! Congratulations!
Really interesting ideas and great photographs. Thank you.
great pictures. interesting article . Great work
How wonderful to have a different perspective inspired by fascinating feet! I feel honoured to have an image included in this fabulous selection. Thank you!
Very interesting article and theme. Great photogallery! Congrats!
An outstanding article and an extraordinary photography theme. Each work is filled with meaning, stories, and inspiring beauty. My sincere thanks to the wonderful editor Jane and my longtime friend Yvette for showcasing such beautiful works of art. Congratulations to all the selected artists. Your works are a great source of inspiration for me to keep learning and growing in the world of photography.
What a fabulous article and the coolest photos. Brightened my day!
Brilliant topic and wonderful images! Thanks!
What a wonderful subject, brought to life with such a variety of unique stories, and the result is fantastic. Many congratulations!
Beautifully diverse and playful images!! Lovely article. Thank you!!
Very well chosen theme and great curation!
Very interesting subject, interesting photographs.
Some really fanny scene and composition! Congratulations on all of the artists!
Fantastic photos with extraordinary perspectives—very nice. There’s something off about the photo “Cute Feet” by Kayanti Kootz. Is it AI, or an editing error?
I truly think it's an editing error, Karin ... That image was uploaded nearly two years ago. Thanks for mentioning it.
Fabulous collection of images Bravo !!!! Great article Jane.
Outstandng selection of "feet" images. Congratulations to all the authors. A delightful and inspiring article, Jane ... Love it.
The making of 'Rotterdam - Erasmusbrug'


Tutorial by Arnd Gottschalk

Published by Yvette Depaepe, the 22nd of October 2027


Canon 600D  .  Tokina 12-24mm f/4  .  1/80s  .  f/14  .  ISO100
 

I shot this picture during a photography trip in Rotterdam, the Netherlands. The original image is a quite acceptable wide-angle shot. It took intensive post-processing to obtain the expected result. My work reaches beyond the borders of classical photography; it is an interpretation rather than pure depiction. This tutorial is meant to explain the methods I have used to obtain this result.
The picture shows one of the most recognizable and photographed bridges in the world — the Erasmusbrug in Rotterdam. It was shot at high noon, in bright sunlight and clear blue sky, creating an intense, flat light. That would have been a problem for the unprocessed picture as such, but it created perfect conditions for further image processing.

I shot this photo using the Canon EOS 600D camera combined with a Tokina 12–24mm lens, selected exposure was 1/80 second and aperture of f/14 — all providing a good depth of field and sharpness and ,at the same time, preventing diffraction blur.

"It was obvious that in post-processing I needed to focus on creating a visual anchor in the image."

Once you see the original picture, problems are easily identified. The pillars tend to gain too much attention in the frame. The viewer’s eye cannot lock onto on anything specific, so the image appears narrowed and not in harmony. It was obvious that in post-processing I needed to focus on creating a visual anchor in the image.

Post Processing
Even before the processing starts, one has to ask oneself how the final image is supposed to look. In this particular case, I wanted to emphasize the lines converging toward the center of the image and to exclude everything else that would have diverted the viewer’s attention away from those lines. While doing this, one must also vary the light in a very subtle manner in order to emphasize the lit edges. There is no golden path in reaching this; I always have to try different means and combinations. Using layers is one of the ideal methods.

I first processed the image in Adobe Camera Raw, and then exported it to Photoshop to make further adjustments.

1) Post-processing starts with the RAW file. I increased the sharpness via ACR, and then created three different exposure versions of the file: one properly exposed, one underexposed and one overexposed.

2) I exported the three images to Photoshop as Smart Objects/layers in the same file. The underexposed layer was the foundation/background image. The correctly exposed layer and the overexposed layer were added above it in the Layers Panel in order to highlight certain portions of the image by means of masking and grading.

3) On top of all the layers I added a Black & White adjustment layer, of which the blue values were darkened.

4) So much for the preparation — now follows the most decisive, but also most elaborate step. With the Pen tool I created Paths to the individual components of the subject (all bridge parts, including cables), converted these Paths to selections and saved them. While doing this, it is important to name these selections in a clear manner, otherwise you will get easily confused.

5) Next I set the exposure of each image element with the layers and pre-customized masks. I recommend using gradients within masks; these allow you to obtain very fine transitions.

6) The next step is about fine-tuning, especially when addressing the cable connections to the pillars. In the original image, the cable endings fall in the shadows, therefore I had to copy brighter parts of the cables and paste them in. Nevertheless, I still kept a slight dark toning in order to create an additional visual guide toward the top of the bridge.



You will notice that the second cable (counting from the bottom upward) has a shadow projection from another cable — I intentionally left it like this.

7) Finally I performed image sharpening and noise reduction on each mask in order to protect the surfaces (when sharpening) and the edges (when reducing the noise). Sharpening was performed by a three-step High Pass sharpening (Filter > Other > High Pass). Radius values were set to 10 pixels, 1 pixel, 0.2 pixels respectively. The decreasing pixel value also decreases the opacity of the layer (Soft Light and Overlay blending modes). I saved this sharpening method as an action. I use it on all of my images. Once the action has been performed, all layers are still available so that I can easily undo it if I have over-sharpened any areas.

Tips
1) Photography nourishes itself with light, but also by focusing upon the essentials. Post-processing clearly plays an important role in the creation of artwork these days. Nevertheless, the groundwork is still set via a neatly composed, sharp and properly exposed initial capture. And this is a matter of practice, patience and serenity. Using this set of skills is the key to creating a contemplative photograph.
2) The camera choice itself is of secondary importance, in my opinion. It is more important to identify the type of camera that best suits you. Once you have the camera, you then need to learn it by heart and use it with blind confidence.

Biography
I am married and a father of six children. I live in the metropolitan area of Aachen in the region formed by the three countries Germany, the Netherlands and Belgium. I work as an editor in the press office of the University of Applied Sciences of Aachen. I am a passionate amateur photographer.
Write
Thank you so much for writing this article. Not expecting quick successes but I am definitely going to give this a try.
Great article and theme! Thanks for sharing!
A very informative article
An excellent tutorial. I found it very practical, with magnificent results. Congratulations, Arnd Gottschalk, and thank you, Yvette, for sharing.
Editing that is full of creativity and precision, from an ordinary looking image to one with high artistic value. Thank you for sharing this good experience... thank you editor Arnd and My good friend Yvette..greetings