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by Yvette Depaepe
Published the 16th of February 2026
Through her lens, Donna Hom explores the world and learns more about it. Photography has undoubtedly enriched her life. Ultimately, it’s about discovering more about the world and herself. Her curiosity about the unknown constantly drives her to learn and explore different areas. Join us as we explore her impressive body of work in this interview.
‘Sunflower’
Dear Donna, firstly, I would like to thank you for taking the time to answer this questionnaire. Could you please start by introducing yourself briefly, telling us about your hobbies, and describing any other projects you are involved in?
I am Donna Hom. I retired from local government jobs in 2019. I specialised in public administration, personnel, finance, technology, public safety, housing, elections and recreation. During my 28 years of public service, I taught at the University of San Francisco in both the undergraduate and graduate schools from 2004 to 2019, and at the State of California East Bay (also known as Hayward) graduate school from 2005 to 2022. I have a Master's degree in Public Administration and a PhD in Business Administration.
My father was passionate about photography. He liked to take photos of his children with a film camera and develop them in the darkroom. He taught me how to use the manual camera when I was seven. When I was 16, I also learned how to develop monochrome photos in a darkroom. I came to the United States in 1981. Since then, I have focused on my education and raising my son. With three jobs simultaneously in my career, I had no time for hobbies for about 35 years! In 2015, health issues forced me to start exercising. While walking in the parks, I discovered many different species of waterfowl near my home. I wanted to learn more about them. So my husband bought me a camera with a 100–300 mm lens. I took photos of the birds, then studied them, including their species, characteristics, food chain and seasonal locations. Eventually, I became interested in landscape photography because I really enjoyed capturing the beauty of nature.
After studying and practising photography for a few years, I began actively participating in international competitions in 2022 and 2023. In 2022, I was named one of the Top Ten Photographers in the Photo Travel Division (PTD) by the Photographic Society of America (PSA), ranking number 9. I also earned the distinction of becoming a Master of the Photographic Society of America (MPSA). Since 2025, I have served as the PTD Exhibition Standards Director.
‘Sunset at Golden Gate Bridge’
‘After Rain’
How and when did you start your journey in photography?
My father introduced me to film photography over 50 years ago. I learnt to develop film and post-process it in the darkroom. I started digital photography in September 2015. My favourite subjects are wildlife, nature and landscapes.
‘Fox Playground’
‘The Caring Look’
‘Outside of the world’
‘Respect to Lover’
For many of us, photography is a hobby or a way of life. How would you describe your relationship with photography?
I think it is a hobby that enriches quality of life. Thanks to photography, I have learnt how to read maps (I'm still not very good at it), geography, wildlife knowledge, weather forecasting, hiking, software, art, information management and culture around the world. These are all skills that are useful for photography. Ultimately, it's about knowing more about the world and myself. I have found that some of the images I have produced reflect my emotions and how I see the world.
‘Rising to the Top’
‘Steamy Morning’
What has been the most important experience to influence your journey in photography so far?
For me, it is the consistent effort I have put into improving myself. To achieve this, I set incremental goals for myself. I started learning how to operate the camera and its accessories. Then I moved on to composition, post-processing, drones, 3D photos, and so on. It is an ongoing learning process. My curiosity to discover new things has led me to find great enjoyment in learning new facts, skills and artistic ideas.
You have your own unique style, yet your work is highly diverse. I see splendid architecture, street and still life photography, as well as photos of animals, among other things. Could you explain why this is?
As I mentioned above, curiosity is what drives me to explore new areas of photography. I started with nature and wildlife, then moved on to landscapes. Last year, I focused on architecture and still life. I read A World History of Art by Hugh Honour and John Fleming. I discovered that, in early history, architecture played a very important role in the development of art. Since then, I have found that architecture around the world manifests cultural, religious and artistic elements. I have enjoyed their beauty much more since reading the book.
‘SF Skyline’
‘Hotel View’
‘Library 1’
Regarding still life, I feel it is another branch of art. When I get older, I think my physical ability may not allow me to travel as much as I would like, so still life may be an area in which I can specialize.
‘Gold Fish’
‘Lotus Flower’
Curiosity about the unknown world drives my learning and exploration in different areas. I enjoy life through learning and discovery. There is an intangible satisfaction in knowing more about the world. For example, understanding why lionesses separate from their cubs when giving birth explains why we only see very young cubs with their mothers and not their fathers.
Which is more important to you: the mood/story behind your images or technical perfection?
I think a good image involves many elements, including composition, lighting, meaningful subjects and storytelling. Technical perfection is more important in some types of images, e.g. wildlife photography. However, when capturing characteristics, e.g. hunting or fighting scenes, street scenes or documentaries, storytelling is more important to me. When it comes to artistic expression, e.g. still life or creative editing, mood is more important to me.
‘YingYang Sand Picture’
‘Sign of Love’
‘Street Scene in Europe’
What is your relationship with your subject matter beyond being an observer?
Do you carefully prepare the locations where you intend to take photographs?
Aside from being an observer, my relationship with my subject matter is to relate to the subject. Whether the subject is human or natural, I relate to it. For example, I learned how mountains were formed. There are two main ways in which mountains are formed: volcanic eruptions or the movement of the Earth's tectonic plates, which causes crustal folding. These formations may take millions of years. When I consider this in relation to human history and the current state of our planet, I feel a deep connection to nature and am motivated to do more to protect it.
Before visiting a location, I consider the transportation, hiking conditions, my physical ability, the location's characteristics, the history and meaning behind buildings, rituals, events, weather and seasons. When it comes to studio portraits, I learn what the subject wants to depict, what skills they have, and what the final images they have in mind are. I will do the necessary research. For example, if the model is a dancer, I will prepare appropriate lighting and lenses for the images. My post-processing work supports the photographic work.
Describe your photographic vision.
My vision is to learn more about the world through my lens. My work should reflect my understanding of subjects, lighting, characteristics and colours, as well as my mood. It is about showing the world as I know and understand it.
Could you tell us more about your workflow, from initial idea to finished product?
My workflow starts with my idea for the work. For example, I wanted to learn about still life, so I researched what it takes to create still life artwork. I searched 1x for people who had done well and shared information on how they had done it. I found that staging and lighting were the two most important things. I then looked at many examples and visualised what I wanted to see in my final products. After that, I went to various stores to find items that would suit my staging preferences. I also joined various workshops to learn from people who were successful in this area. I learned how to use lighting to achieve certain results, and then I purchased lighting equipment. It took me a few years to create my first still life image. Ultimately, the final product was less important than my satisfaction from the learning process. Finally, I explored the possibilities of post-processing. I explored different ways of developing final products, e.g. colour and monochrome versions, and different cropping compositions.
‘Climbing the Sahara Desert’
‘Autumn Colors #15’
‘Running in the Wildland’
Where do you look for inspiration, and what inspires you the most?
I find inspiration in looking at good work in museums, books, workshops, the 1x gallery and other photo galleries, as well as in award-winning entries in international photography competitions. Above all, learning about unknown knowledge and the world inspires me the most.
Many people believe that gear is unimportant if you're passionate about photography. Could you please tell us what equipment you use, such as your camera, lenses, lighting and tripod?
To me, gear is all about achieving the vision I have for the final product. Currently, I use a Canon R5 and a Canon Mark IV. I have about 15 different lenses with various focal lengths, including 10 mm, 12 mm, 14 mm, 35 mm, 50 mm and 85 mm fixed-length lenses, as well as 14–85 mm, 24–105 mm f/4.0, 24–105 mm f/2.8, 70–200 mm, 100–300 mm, 100–400 mm, 100–500 mm and 150–600 mm. I also have a 100 mm macro lens. I also have a DJI Mini 4 Pro, a DJI Mavic 3 Classic, a DJI Mavic 3 Pro and a DJI Mavic 4 Pro, as well as an iPhone 17 Pro Max. I have various tripods for different purposes: an RRS heavy-duty one for strong winds and wildlife photography, a Bentro one for daily use and a Peak Design one for travelling.
‘Sunrise at Factory Butt’
‘Milky Way over Water Well’
Which is your favourite photo? Please tell us the story behind it.
Mine is the photo of the king penguins that I took in the Falkland Islands in South America in 2023. Of all the birds I photographed, penguins are my favourite, followed by owls. Their human-like behaviour is both cute and beautiful. The two king penguins walking along the beach, fin touching fin, were so human-like. One penguin was leading the way while the other looked around as if she needed time to enjoy the beautiful ocean. The male penguin waited patiently for her so they could walk together. In February 2023, I went on a cruise to visit the Falkland Islands. The cruises before and after us were unable to land due to the weather conditions. After I returned home, I found out that my friends who were on the cruise behind us one week later were also unable to land. This made me appreciate our luck even more.
‘Lovers Walk’
Which photographers or mentors have influenced you, and whose work do you admire?
I admire many photographers who excel in different areas. For architecture, I admire Jorge Pimenta and Rana Jabeen; for flowers, Hilda van der Lee and Ben.C.L., Lydia Jacobs, Aidong Ning, Larry Deng, Mei Xu for creative editing, Wanghan Li and Jun Zuo for wildlife photography, and Judy Tseng for mood. Their work inspires and influences me.
Now that we're coming to the end of this interview, could you tell us about any photography projects you'd like to be involved in?
I set myself goals each year in my pursuit of photography. In 2026, I would like to learn more about high-key images, in both colour and monochrome. I will also continue to learn about still life. Of course, I still love shooting wildlife and landscapes. For landscapes, I want to become more skilled in drone operation and composition.
Is there anything else you would like to add? What do you think about using 1X to showcase your work?
I joined 1X in 2018, but I didn't know much about it at the time. When my work was first published, I wanted to keep it for myself, so I deleted it right away (LOL). In 2021, I understood what 1X was about, and I started uploading my images there. From 2022 to 2023, I was actively participating in international photography competitions, so I did not engage with 1X as much as I would have liked. From 2024 onwards, I have re-engaged with 1X and learned a great deal from the excellent photographers. Viewing exhibitions and awarded and published images became my daily routine. Through the 1x platform, I signed a contract with the England Photo and News Agency, who published my work in England. So 1x is a good platform for showcasing my work.
‘Spring of Yosemite’
‘Wave of Lines’
'Doha Islamic National Museum'
‘Red Bus in London’
‘Show Time’
'Hummingbird feeding' | Write |
Edited and published by Yvette Depaepe, the 14th of February 2026
Davide Barzaghi is a contemporary Italian fine-art photographer recognized for his conceptual and evocative imagery. His work often explores human emotions, surreal narratives, and the human form through a minimalist and dramatic lens.
Several of his exhibitions were already featured in the 1x gallery such as
‘Olypmpus has fallen’
Aldilà: the àgalma of the everyday
The Abandoned Future
David Barzaghi - Photo taken by Cristian Salmistraro
The theme ‘LOVE’ is an important aspect of Davide Barzaghi’s photography.
Lovers: memories of the future, is the title of a series of exhibitions this year in musea and art galleries.
This project is curated by Roberto Mutti, problably the most important curator in Italy.
It is also interesting in its development as it started as a couple project and finished as an individual reflection about love.
The finissage, edited by Roberto Mutti, happens today, the 14th of February.
Spazio Kryptos , via Panfilo Castaldi 26 – Milano
The exhibition, which opened to great success on Wednesday, January 21st, is coming to an end, but to close on a high note, its creator Davide Barzaghi has decided to stage a performance that, on one hand, recounts its evolution and, on the other, offers a reflection on love, not coincidentally on the day when it is celebrated all over the world.
Conceived as an exhibition that brought together the works of Davide Barzaghi and Daria Tsyban in style and elegance, “Lovers” has, in this short space of time, for personal and artistic reasons, been transformed into a solo exhibition by the author, who, with the evocative subtitle “Memories of the Future,” wanted to engage the public in a lively dialogue.
On Saturday, February 14th, he will allow visitors to wander among the images, admirably printed in black and white, capable of conveying all the nuances of life, and to confront the emblematic presence of a mannequin. Then he himself will bring the performance to life in a transformed Spazio Kryptos, placing two chairs facing each other. The author will sit on one chair, holding a frame containing a photograph taken from the wall and replaced by a large sheet of paper printed with the words “Memorie di futuro” (Memories of the Future), while visitors will take turns sitting on the other chair.
With carefully studied gestures, Davide Barzaghi will tear the photograph into pieces that will be given to all those who have sat opposite to him. Let's imagine we are there: now the image has been fragmented and has also begun a metaphorical journey.
Next year, on February 14th, 2027, at 6:30 p.m., we will meet in the gallery with the aim of putting those fragments back together. We cannot know if the entire work will be recomposed or if only some parts will remain, if it will still be visible as before or if details will survive floating in nothingness.
But, after all, isn't this the fate of memory and often of love as well?
Some of the exposed works
In my Hat
immaginazione
All Human
Wait
Bathroom, Pt 3
La Bambola
Ossessione
Aldila
REVIEWS
Although the use of black and white in photography is often considered a technical choice, for many artists it is actually the result of a conscious search for the best way to escape the constraints of reality and delve into the folds of possibility. Davide Barzaghi knows this well, having skillfully exploited all the nuances of black and white to create a dreamlike world in which bodies move to give life to the intriguing story of a relationship that sees him as both the author and protagonist of the images, but also ready to take on the role of guide, capable of leading us to perceive the dynamics of feelings.
Thus, from the outset, we are mesmerized by the framed photograph of a single eye so large that it hides the body of the man who struggles to carry it without being able to see it, even though we sense that he perhaps perceives it as a destiny or an omen. If it is true that a story like this has a strong theatrical component, it must necessarily open with the image of a curtain, here personified by a zipper that, when opened, reveals the dazzling beauty of a female body. From now on, the images follow one another without following a linear path but following the rhythm of jazz music, where moments of suspension alternate and the gaze lingers on a woman sitting with her back to the camera in a moment of waiting, to others of variations on the theme interpreted by bodies that intertwine, seek each other, and chase each other. Here and there, tributes appear to a metaphysics that the author knows how to render ironic in the role-playing game with the mannequins, as well as to surrealism, represented here by the sudden appearance of a large fish that rests on the woman's body, establishing a subtle and intense visual reference between its eye and her nipple that vibrates like a string. But the real protagonists are the two bodies moving within a space that now narrows to bring them closer and now widens to distance them in a dialectic that, on one hand, emphasizes what they have in common and, on the other, alludes to their differences. The male body is curled up in a cavity that is part refuge and part prison, while the female body, although in a similar situation, seems ready to spring out with a plastic movement, the same with which she sinuously frees herself from her dress, slipping out of it to reappear like an Aphrodite rising from the sea foam. Meanwhile, he is all scrutiny: he does so perhaps almost painfully, leaning out into the light after struggling to open a passage, through glass ruined by time and another broken by who knows whom and why. Finally, he does so by casting a knowing glance, which is returned, before the two bodies recognize each other in an approach that resembles a farewell. And that hand that reaches out and now finds an empty space becomes a symbol of that feeling of nothingness that every ending brings with it.
~Roberto Mutti~
The story of love has been told so many times that any artist must struggle to find an approach that will stir our imagination and evoke emotion. Davide Barzaghi succeeds here on both counts in a beautiful way, through the use of video interspersed with still photographs. The initial images are extremely intimate, conveying the passion of a new love affair, and as the work develops we see details, moments, hands that join together and then reach out in vain. The departure of the woman followed by the portrayal of the man's pain is hard to watch without feeling. My personal reaction is one that welcomes the idea that men, traditionally thought of as strong and unemotional, are just as vulnerable as women when it comes to the breakdown of a relationship. In this work, the woman seems so confident and at ease with herself as she walks away, and it is the man whose heart is broken. This is a genuinely beautiful film, creative, artistic and thoughtful, that covers a relationship in depth and moments that stay with us and reach out to us.
~Elizabeth Allen~
In Davide Barzaghi’s work, monochrome becomes a language of its own, one that removes distraction and invites the viewer into a suspended, almost timeless space where feeling takes precedence over fact. Davide constructs a deeply personal narrative, positioning himself not only as the creator of the images but also as their subject. His presence is not performative; rather, it functions as a quiet guide through the emotional terrain of a relationship. Bodies move through light and shadow, gestures replace dialogue, and what unfolds is less a literal story than an emotional journey—one that feels intimate yet universally recognizable. What distinguishes Barzaghi’s work is his ability to renew our engagement with this familiar subject.
The moment of separation marks a profound emotional turning point. The woman’s departure is portrayed with a sense of composure and self-assurance, while the man is left exposed in his vulnerability. This reversal of traditional emotional roles is one of the work’s most striking aspects. Barzaghi does not shy away from portraying male fragility, instead embracing it as an honest and necessary part of the story. The pain that follows is raw and deeply affecting, inviting empathy rather than spectacle. Ultimately, his images are not simply about the end of a relationship, but about the emotional traces it leaves behind. It is thoughtful, sensitive, and visually compelling, offering moments that linger for a long time. Barzaghi’s work reaches out to the viewer, reminding us that love—whether found or lost—remains one of the most powerful forces we experience, and one of the most difficult to let go.
~Yvette Depaepe~
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 | txules PRO What a powerful set of pictures¡¡. Congrats¡¡ |
 | Yvette Depaepe CREW Dear Davide, your monochrome work becomes a language of its own, one that removes distraction and invites the viewer into a suspended, almost timeless space where feeling takes precedence over fact. Your images have a deeply personal narrative. Your presence is tangible moving through the emotional terrain of a relationship. Bodies move through light and shadow, gestures replace dialogue, and what unfolds feels intimate yet universally recognizable. You have this unique ability to renew our engagement with love. My very best compliments, Davide! |
 | Vladimir Funtak PRO Bravo Davide! The last one, lady and the beast strike me most, this one I will remember. The deepest wounds can be inflicted by those we love, we cherish, we need. No love, no hurts. But we are not designed to be alone. A perfect plastic body can be owned but feelings can not. Replacing a human being with an artificial one will be the last step of a mankind. |
 | DonnaHom APA PRO The expression of love is unique and artistic. Monochrome tone is applied so appropriately. I viewed some of the images before this magazine was published, it gave me the unforgettable memory of the art. The staging of the images are creative. Congratulation to Davide’s accomplishment and the great success of the exhibition. |
 | Elizabeth Allen CREW It's a great honor for me to have my review included here and I only wish I could have visited the exhibition in person. Huge congratulations, Davide, and sincere good wishes for today's closing event. I look forward to seeing more photos! |
 | Davide Barzaghi CREW Thanks dear Liz |
by Yvette Depaepe
Published the 12th of February 2026
‘Love is in the air.’ by Ben Goossens
Valentine’s Day has always been associated with grand gestures—roses wrapped in cellophane, handwritten cards, candlelit dinners—but photography has a unique way of revealing what the day truly means. Beyond the clichés, the lens captures love in its quiet, fleeting, and deeply human forms.
In photographs, Valentine’s Day is not just about couples holding hands beneath city lights. It lives in the small details: a shared glance across a crowded café, fingers brushing as coffee cups are passed, the soft smile that appears when someone feels truly seen. These moments are often unplanned, lasting only seconds, yet photography allows them to linger far longer than the day itself.
For photographers, Valentine’s Day offers a rich emotional palette. Light becomes softer, shadows gentler. Red and pink hues dominate the frame, but it’s the warmth between subjects that gives an image its power. Whether shot on bustling streets or in intimate domestic spaces, the strongest images are rarely posed. They emerge when subjects forget the camera is there and simply exist with one another.
In an era dominated by fast scrolling and instant content, Valentine’s photography invites us to slow down. A single photograph can hold a story that words struggle to express: longing, comfort, anticipation, or loss.
Perhaps that is why Valentine’s Day remains such a compelling subject for photographers. It is not the perfection of love that draws us in, but its honesty. The imperfect smiles. The awkward embraces. The tenderness that feels almost too private to witness—yet resonates universally.
Through the lens, Valentine’s Day is less about a single date on the calendar and more about a shared human experience—one that, like a good photograph, stays with us long after the moment has passed.
There is a lot of love in our community.
Enjoy this short gallery showcasing it!
‘Heart of the desert’ by Babak Mehrafshar
‘Touch me’ by Heidi Westum
‘Love at first sight’ by Yvette Depaepe
‘Hug’ by Morteza Yousefi
‘Love with Wings’ by DDiArte
‘Hotel Noir’ by Dasha_and_Mari
‘Passion in red’ by Erik Schottstaedt
‘Love’ by Tony Xu
‘Our heart’s desire’ by Shenshen Dou
‘check!’ by ambra
untitled by David Dubnitskiy
‘Water enchantement’ by Enis Onur
'Stay' by Delphine Devos
‘On the Top’ by Hendy Mp
untitled by Boris Hristov
‘VERY blind date.’ by Ben Goossens
'Love with all their Roots' by DDiArte
‘Sketch the love II’ by Sebastien DEL GROSSO
‘Passion’ by Peppe Tambè
‘Love’ by Savas Sener
‘Poetry’ by Dasha_and_Mari
‘United Diversity’ by Benton Murphy
‘Touching’ by Stefan Eisele
Make the most of Valentine's Day 2026 and treat your loved ones.
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 | Bünyamin çadırcı PRO Harika fotoğraflar! Tebrikler |
 | Eiji Yamamoto PRO Dear Yvette, thank you so much for such a beautiful and wonderful article with great photos! Happy Valentine's Day! |
| | Elizabeth Allen CREW Thank you for this wonderful article and beautiful collection of photos, dear Yvette. Happy Valentine's Day to you and your loved ones! |
 | Linda Lu PRO Lovely images! |
 | Impressive! |
 | We are here for the love of photography ♥️ |
 | Molly Fu APA PRO Beautiful collections of loves, Happy Valentine's Day dear Yvette! |
 | Peppe Tambè PRO Thank you so much dear Yvette, it is always an honor to be chosen. Congratulations to all the authors. |
 | Erik Schottstaedt CREW Nicely done! |
 | Miro Susta CREW Happy Valentines Day Friends, excellent contribution and beautiful photo selection Yvette, what would we do without you ❤️ |
| Yvette Depaepe CREW Deeply touched by your comment, Miro !!! |
| | DonnaHom APA PRO Nice and warm images, all year around especially around Valentine’s Day. Congratulations to all authors, whose outstanding images are exhibited here. Thank you Yvette for your hard work in editing and publishing. |
| Yvette Depaepe CREW Thanks, Donna ... you make me blushing ;-) |
 | Yinghui Dan PRO Remarkable collection! Thank you! |
| Yvette Depaepe CREW Thanks for your appreciation, Yinghui Dan ... |
 | Zhou Zhao Nian PRO 精彩的藏品！谢谢你。 |
| Yvette Depaepe CREW Thanks for your appreciation, Zhou Zhao Nian. |
 | Jane Lyons CREW Yvette, you are a gifted curator. What a brilliant collection! Thank you. |
| Yvette Depaepe CREW Thank you Jane ... I love going through the artworks on 1x in search of forgotten gems ;-) |
 | Brilliant, simply brilliant and inspiring work by the featured photographers. What a feast to the eyes, bravo!!! 👏👏👏👏 |
| Yvette Depaepe CREW Thank your, dear Carolina ... |
by Yvette Depaepe
Published the 11th of February 2026
'Everyday objects dressed in magic'
Once you start looking, you will discover photos almost everywhere. You will find there is never ever a shortage of material and determining exactly what to take and you quickly have a selection of unique as well as original digital pictures.
The winners with the most votes are:
1st place : Boris Bekelman
2nd place: Nicolae Stefanel Rusu
3rd place : Thierry Lagandré (Trangressed Light)
Congratulations to the winners and honourable mentions.
Thanks to all the participants in the contest 'Everyday objects dressed in magic'
The currently running theme is 'Straight out of the camera shots (SOOC)'
SOOC or Straight Out Of the camera images are the challenge in this contest theme. No Photoshop and alike except for darkroom methods such as handling the contrasts, light or reversion to BW.
This contest will end on Sunday the 22nd of February 2026 at midnight.
The sooner you upload your submission the more chance you have to gather the most votes.
If you haven't uploaded your photo yet, click here.
1st place: by Boris Bekelman
2nd place: by Nicolae Stefanel Rusu
3rd place: by Thierry Lagandré (Transgressed Light)
by Erik Engström
by brigitte van krimpen
by Urs Zimmermann
by Louis-Philippe Provost
by Santiago Pascual Buye
by Luciano CaturegliYou can see the names of the TOP 50 here.
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 | yein PRO I saw a new perspective on everyday things. Congratulations |
 | 大山 儀高 PRO どの作品も、素晴らしい発想力で勉強になります。おめでとうございます！ |
| | Yaping Zhang PRO 祝贺所有获奖者和前十收视率。 看到了非常鼓舞人心且有趣的精彩杰出的照片。
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 | Roland Weber PRO Congratulations to all winners and Top 10 ratings.
I have seen very inspiring and interesting photos during the contest. |
by Yvette Depaepe
Published the 9th of February 2026
For David Manusevich, bird photography became an enlightening hobby. It makes him feel free and distracts him from the outside world. Take a look at his impressive body of work.
‘Little Owls’
My name is David Manusevich.
I live in Israel and work for a company that sells aquarium fish, other pets, and all kinds of related equipment.
I have been interested in animals, their behavior and habits since childhood.
I started taking pictures of birds and other creatures in nature when I was young. I became particularly fascinated by prey animals and birds.
‘Fox family’
‘The fox and the Falcon’
‘White-tailed eagles’
‘The Predator’s Gaze’
The development of photo technology gave me more possibilities. I can now easily capture birds in flight.
‘Cormorants’
‘Lesser Kestrel’
‘Night heron’
I learned about prey birds by reading about them and by photographing them.
I have thoroughly studied cameras, lenses and other necessary gear to improve the quality of my pictures.
Over time, bird photography has gradually become a hobby that has enriched my life.
I am attracted to the diversity of nature. Seeing birds makes me feel free and helps me to forget about the outside world.
These days, I mostly photograph prey birds, but my favorites are little owls.
I am fascinated by little owls because of their expressive eyes.
They can interact with people if they feel safe around them.
There is an old quarry not far from where I live, which some owls have made their home. They recognize me and show no fear. Once, I saw an owlet that had fallen out of its nest and hurt itself. I took it in, looked after it until it could walk, and then returned it to the same place. I have now seen two generations of these owls, recognizing them by their limp.
‘Flight Lesson’
‘A glance Through Petals’
‘Acrobat’
Bird photography is quite different from other types of photography.
Nature is never static, so it's difficult to predict what you'll see when you return to a familiar location.
Capturing birds in motion requires knowledge of their behavior, the ability to predict their next actions, and a great deal of patience.
A bird photographer must be able to sense the moment and know when to capture it.
‘Northern Goshawks’
‘Subalpine Warbler’
‘Eurasian Roller’
‘Dinner is served’
‘Junior Red Footed Falcons’
‘Emotions in the frame’
Having the right cameras, lenses and gear for your photos is one of the most important things for taking good pictures and achieving perfection.
I usually edit my photos afterwards, but minimally, to keep them as close to the original as possible.
Cameras:
CANON R1 and CANON R5 m2
Lenses:
RF 600mm F4 / RF 400mm F2.8 / RF 100-300mm F2.8 / RF 100mm F2.8
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 | Rae Zhang PRO What wonderful moments that you have captured! |
 | David Manusevich PRO Thank you very much,Rae |
| | Yaping Zhang PRO 谢谢您大卫分享精彩文章和精彩绝伦，杰出有趣的大片！太牛了 |
| David Manusevich PRO Thank you very much,Yaping |
 | thanks a lot to David and Yvette for this remarkable article and the selection of wonderful images |
| David Manusevich PRO Thank you very much,Hans-Wolfgang |
 | Doron Braunstein PRO Every photo of David is stunning. The images reflect the exceptional artistic and technical skill. Since I started publishing here on 1X, David has been my role model. No doubt he is a fantastic photographer. |
| David Manusevich PRO Thank you very much,Doron |
 | Heike Willers PRO Stunning images! Great work! Thank you for this article, Yvette. |
| David Manusevich PRO Thank you very much,Heike |
 | Ali Khataw CREW Superb work! Congratulations! |
| David Manusevich PRO Thank you very much,Ali |
 | Gilles Benso PRO Merci pour ce partage et pour ces belles photos qui mettent en valeur la beauté animale |
| David Manusevich PRO Thank you very much,Gilles |
 | JA Ruiz Rivas PRO Siento envidia por tu imagenes y tu trabajo. ¡Buena luz! |
| David Manusevich PRO Thank you very much,Ja |
 | Lourens Durand CREW Excellent bird photography! |
| David Manusevich PRO Thank you very much,Lourens |
 | Perfecta la acción con la composición de la toma, un excelente trabajo. |
| David Manusevich PRO Thank you very much,Agustin |
 | Paolo Bolla PRO Very good portfolio. |
| David Manusevich PRO Thank you very much,Paolo |
| | The images included in this article are absolutely stunning. There is no doubt there was a lot of work dedicated to capture these inspiring and top-level photos. Many congratulations, David, and thank you Yvette for publishing this enlightening article. 👏👏 |
| David Manusevich PRO Thank you very much,Carolina |
 | Excellent images, Congratulations David. |
| David Manusevich PRO Thank you very much,Ramiz |
| | yein PRO Great collection of new photos. The passion you've been waiting for is impressive. Congratulations! |
| David Manusevich PRO Thank you very much,Yein |
 | GENNARO DI NOTO PRO Stunning galleries, I wonder if some of those shots have been taken in Hungary . Congratulations |
| David Manusevich PRO Thank you very much,Gennaro |
 | Izabella Végh PRO Bellissimo articolo e fotografie. Grazie mille. |
| David Manusevich PRO Thank you very much,Izabella |
| | Miro Susta CREW Wonderful bird photo collection, congratulations David |
| David Manusevich PRO Thank you very much.Miro |
 | Rayco PRO Muchisimas felicidades compañero, una galeria preciosa |
| David Manusevich PRO Thank you very much,Rayco |
| | DonnaHom APA PRO Great to see your interview. I have been following you for a while. A great collection of birds. Congratulations, my dear friend David. |
| David Manusevich PRO Thank you very much,Donna |
 | Erhard Batzdorf PRO Your pictures absolutely deserve to be featured. Congratulations, David! |
| David Manusevich PRO Thank you very much,Erhard |
 | Gila Koller PRO David Congratulations!! wonderful images, your gallery is impressive, very nice article! |
| David Manusevich PRO Thank you very much,Gila |
| | Elizabeth Allen CREW Congratulations on your feature, David. I always admire your beautiful work and respect your dedication. Thanks as always to Yvette for the article. |
| David Manusevich PRO Thank you very much,Elizabeth |
 | Absolutely stunning, beautiful images. Congratulations, dear David. |
| David Manusevich PRO Thank you very much,Nicolae |
 | Mallal Moshe PRO Special photos of phenomenal quality , can be imressed by your professionlism . |
| David Manusevich PRO Thank you very much,Moshe |
 | Rana Jabeen PRO Excellent images, Congratulations for the feature David |
| David Manusevich PRO Thank you very much,Rana |
 | Massimo Strumia PRO Beatiful gallery, congrats! |
| David Manusevich PRO Thank you very much,Massimo |
 | Assaf Goldberg PRO Congratulations for this impressive gallery in the magazine! Your passion for wildlife photography is evident in every remarkable image in this gallery |
| David Manusevich PRO Thank you very much,Assaf |
 | Wanghan Li PRO I have been loving your beautiful works when I first saw them! I always wonder how you capture them and process them. Now thanks a lot for your sharing your knowledge! Congratulations on the fantastic article and the extremely beautiful works! |
| David Manusevich PRO Thank you very much,Wanghan |
| | Eiji Yamamoto PRO Dear David, thank you so much for such a wonderful article with great photos! congratulations! Dear Yvette, thank you so much as always! |
| David Manusevich PRO Thank you very much,Eiji |
 | Ling Zhang PRO Beautiful works and incredible collection! Congratulations! |
| David Manusevich PRO Thank you very much,Ling |
 | Chong Lip Mun PRO Fantastic Collection |
| David Manusevich PRO Thank you very much,Chong |
| | CLEMENT Philippe PRO Remarquable travail photographique |
| David Manusevich PRO Thank you very much,Philippe |
 | Offer Ellbogen PRO Remarkable, fascinating, colorful, very impressive and diverse photos of birds and animals in nature............absolutely gorgeous..........Congrats dear David !!! |
| David Manusevich PRO Thank you very much,Offer |
 | Miron Karlinsky PRO Thank you! |
| David Manusevich PRO Thank you very much,Miron |
 | Jacob (Jian) Xu CREW Absolutely amazing bird photography, always admire and enjoy your masterpieces of bird images! Congrats and thanks Yvette for this great interview! |
| David Manusevich PRO Thank you very much,Jacob |
 | Ilan Amihai PRO beautiful work, always impressive by birds photographer they have the passience to catch there pics. well done. |
| David Manusevich PRO Thank you very much,Ilan |