by Yvette Depaepe
Published the 9^th of September 2024

Wael Onsy's photographic vision revolves around capturing the essence of structure and space, showing buildings as an architect, or how he would like to see them, distilling the complexity of architecture into simple, powerful compositions. He creates images that not only document but also inspire, showing the interplay of light, form and shadow. Each photograph is a visual story that reflects both his creative vision and the inherent beauty of the subject, attempting to convey the spirit of design in his own style.

'Mirror'

Dear Wael Onsy, first I would like to thank you for taking the time to answer this questionnaire! To begin, please introduce yourself shortly and tell us more about you, your hobbies or other projects you are involved in!

It is a great honour and I am delighted to have this opportunity to talk about my work. I was born in Port Said, Egypt and completed my education in Cairo. I have been living in Dubai, United Arab Emirates. Working as an architect by profession, my innate passion for architecture and fine art photography and travelling.

'The EYE 3'

'Through the Curves'

'Budapest'

When and how did you start your photographic journey?

I used to travel extensively to explore different types of architecture. I love documenting the special places I visit by taking pictures with my phone. In 2012, a friend advised me to buy a camera and since then, it clicked.
I discovered my passion for photography. It started as a hobby and quickly escalated.
Photography isn't just about capturing a moment; it's about exploring infinite possibilities and pushing the boundaries of artistic expression. My process involves experimentation and innovation as I seek to capture the essence of a structure in a way that resonates with the viewer on a deeper emotional level.
My photographs have received international acclaim, with my images featured in prestigious publications such as National Geographic, and my work exhibited in galleries and exhibitions around the world, including Italy, China, Dubai, Turkey and the USA.
I have also been awarded in many prestigious international competitions such as the International Photography Awards "IPA", Siena International Photo Awards "SIPA", Urban Photo Awards Trieste, Monochrome Photography Awards and many more.
I've also had the honour of serving as a judge in various photography competitions in countries such as Greece, Russia, Sri Lanka, Tunisia and others.

'Sagrada'

'Support'

For many of us photography is either a hobby or a way of life. How would you define your relationship with photography?

The relationship between my profession as an architect and my passion for architectural photography and fine art is deeply intertwined.
As an architect, I have an innate understanding of form, structure and spatial relationships, which gives me a unique perspective when photographing buildings and environments. I don't just see the surface of a structure, I understand its design principles, its functionality and the vision behind it.
In your photographs, this knowledge allows me to capture architecture in a way that highlights its essence. I can show the intricate details, the play of light and shadow, and the harmony between the structure and its surroundings in a way that others might not notice. In essence, my architectural background informs my photographic work and vice versa. In fine art, this duality deepens my ability to communicate stories and emotions through structural forms, combining technical precision with artistic expression. Both practices feed into each other, creating a seamless connection between my professional expertise and my creative pursuits. 

'The Station'

'The Eye 2'

What would be the most important experience so far that has influenced your steps in photography?

My journey into photography started quite simply, like many others, with capturing everyday moments,whether architectural or not. Over time, I began sharing my photos on local platforms, and eventually, I ventured into global photography websites. A major turning point came when I started submitting my work to 1X. It was a bit of a shock for me to see the incredibly high level of photography on that platform. I was in awe, constantly wondering if I could ever reach that level, or be on par with those photographers.
At first, most of my photos were rejected, which made me realize that I needed to push myself further and improve. That’s when I began focusing on serious development. I started taking courses, both through YouTube and private lessons with well-known photographers.
Then my experience sparked a deep love for black-and-white and fine art photography in me. From that point on, I continued studying and refining my skills, gradually reaching the level I’m at today.

'Texture'

'Umicore'

You have your own style. Why are you so drawn by architecture photography?

Architectural photography allows me to explore the relationship between space, form and light. I'm fascinated by how man-made structures interact with their environment. The lines, symmetry and shapes found in architecture often tell a story, and my goal is to capture that narrative through my lens. It's a blend of technicality and creativity that I find deeply satisfying.

'Mystery of Venice'

What is more important to you, the mood,/story behind your images or the technical perfection?

While technical perfection is so important in creating a polished image, especially in my fine art style, I believe that the mood and story behind the photograph are what really makes it stand out. I strive to create images that evoke emotion and offer a deeper perspective.

'Paris 7'

What is your relationship to your subject matter in general, beyond being an observer?

I see myself as more than an observer; I try to immerse myself in the environment and understand the essence of the space. This helps me to connect with the subject on a deeper level, which often leads to more meaningful and authentic images, rather than just documenting it.

'Eye 7'

Do you prepare carefully the places you want to photograph?

Yes, preparation is key for me. I research the location, scout the area and understand how the light moves throughout the day. This preparation ensures I'm ready to get the perfect shot when the conditions are right. Planning also helps me to anticipate potential challenges, which allows for more creative flexibility during the shoot, but I also love to immerse myself in the environment, waiting for surprises.

'Curves'

Describe your overall photographic vision.

My photographic vision revolves around capturing the essence of structure and space, showing how I see the world and buildings as an architect, or how I would like to see them, distilling the complexity of architecture into simple, powerful compositions. I aim to create images that not only document but also inspire, showing the interplay of light, form and shadow. Each photograph is a visual story that reflects both my creative vision and the inherent beauty of the subject, attempting to convey the spirit of design in my own style.

'Grand Mosque'

Could you please tell us a bit more about your workflow from idea to final product? Where do you look for inspiration and what inspires you most?

I start by studying the place I want to photograph, for example walking around the building to find the perfect angles. Then I photograph it from the traditional angles that everyone takes, and then I move on to trying new perspectives, different levels, different lenses, etc. You should always use a stable tripod, and also filters such as ND filters and polarisers, especially in a crowded area. Before shooting, I also look at similar photos taken in the same locations by fellow photographers on popular websites such as 1x. However, I plan my visit to the location before I go as it may require specific timing, weather conditions and transport. It is very important to choose the right time for the best lighting (chasing the blue and golden hours). You should also concentrate on the main subject of the photo, or as they say, the "hero" of the photo, and avoid any distractions. Also, study your camera settings to be in full control and try to get your shot perfect to minimise the use of editing software. Finally, always make sure that the alignments of the building are perfectly vertical, you can use (tilt shift lens) if possible. Then I start my balanced editing in PS, which is the fun part, choosing the style and mood I want to achieve. The goal is to create a final product that resonates with both technical precision and artistic emotion that tells a story. 
I find inspiration everywhere, from urban environments, books, other photographers' art, visiting museums and galleries, and watching films. But architecture itself is my greatest source of inspiration. The way different cultures express themselves through their buildings, from modern skyscrapers to ancient temples, provides endless creative fuel. I'm always inspired by the way light interacts with these structures, changing them throughout the day.

'The Scroll Sculpture'

Many people think that the equipment is not very important when the passion for photography is strong. But can you please tell us what equipment you use (camera, lenses, lighting, tripod, etc.)?

I believe that a good quality equipment with support you to reach the quality you are looking for, but not important as knowing your equipment very well and having the technique and vision, for architecture photography for example tripods very important to be sturdy, using the ND filters also helps to get your results.
My gear includes :
Nikon Z8 , Z6
Nikoor 14-24, 70-200, 24-70, Nikon PC-E NIKKOR 24mm f/3.5D ED Tilt-Shift Lens
GITZO: CARBON FIBER TRIPOD
BH-55 BALL HEAD
ND filters rectangular with holder 100mm

What is your favourite photo? Please tell us the story behind it.

I have a lot of my favourite photos and it's not easy to choose one, but I'm going to choose two because they have a special place in my heart.
The first one is (Zaha Art) which I took for Heydar Aliyev Centre in Baku, Azerbaijan, designed by the great architect Zaha Hadid and known for its distinctive architecture, so I took all the perspectives I liked, then I decided to go to the back elevation which is not familiar to many photographers, then I worked hard on editing and perfecting it until I got paid by winning many international awards in USA, Italy and United Arab Emirates.
The other one is ( The Sand Gazelle ). What's funny is that it's not part of my architectural collections but it was in the star of being known and was selected and published in National Photography and also one of the first awarded on 1X and reached to the final stage in Xposure competition.

'Zaha Art'

'The Sand Gazelle'

Who are your favourite photographers or mentors whose works have influenced you and your photography?

I follow most of the famous architectural and fine art photographers on 1X and get inspired by them, but my favourite two who have changed my vision and style are Joel Tjintjelaar and Julia Anna Gospodarou, they are masters of black and white art and controlling the light. And I was lucky enough to meet Julia in Paris for a two-day workshop and was so inspired.

'Generali Tower'

Now that we have almost reached the end of this interview, I would like to ask you to tell us about any plans or photographic projects you would like to be involved in.

I am currently working on a project to have my own gallery at the Xposure exhibition and I am also planning some photographic trips to new countries.

'Heydar Aliyev Centre'

Is there anything else you would like to add and what do you think of 1X as a home base for your work?

1x.com is more than just a photography platform or my home base, it's a community of passionate, creative artists. The curation process ensures that only the best and most striking images are featured, making every visit an inspiring experience. It challenges me to continually hone my craft while providing a space to share my work with a discerning audience. The platform's blend of artistry and professionalism is second to none. Thanks to all the team, it's the best place to be online. Is there anything else you wish to add and what do you think about 1X as a home base for your work ?

'Paris 2'