by Yvette Depaepe
Published the 12th of February 2024

Marius Surleac is an outstanding photographer. People and geometry, especially in abstract and architectural contexts, form his favourite combination. Rather than a single transformative experience, his photographic journey in photography has been shaped by the acknowledgement received from fellow photographers and non-photographers alike. Perseverance has played a pivotal role in improving his skills and fostering a genuine desire to excel in this artistic endeavour.  Let's go on a journey through Mariuis' work and learn more about this fine artist through this interview.

'facing the names'

To begin, please introduce yourself shortly and tell us more about you, your hobbies or other projects you are involved in, Marius! 

Firstly, I want to express my gratitude for this wonderful opportunity. I am a Research Scientist, specializing in Bioinformatics, with a background in Physics. My work revolves around Molecular Genetics, Microbiology and Virology. Additionally, I'm very pride to be a father of two amazing kids. Balancing my time between family and work, I engage in hobbies that seamlessly integrate with both aspects of my life, leaving no room for boredom. Photography, writing and walking are my primary hobbies. As a writer and translator, my works have been published in literary magazines worldwide; I also occasionally delve into flash fiction. Notably, I've authored a poetry book titled "Zeppelin Jack" and a book of poetry translations. Photography has taken precedence over writing, significantly impacting my lifestyle by making me more active, encouraging travel and fostering connections with like-minded persons. I love music, I am a fervent listener and incorporate it into various aspects of my life, be it work, workouts, or even writing. Attending music festivals, particularly jazz concerts, is a personal delight. Reading and socializing are additional facets of my interests.

'idle'

For many of us photography is either a hobby or a way of life. How would you define your relationship with photography?

Initially a hobby, photography has evolved into a way of life for me, albeit not a profession from which I derive income. It has brought significant changes, making me more active and altering my perspective on the world, how I see it now compared with how I did in the past. Whether strolling through the city or exploring foreign lands, I find myself closely examining architectural details, observing people and their emotions, and appreciating the beauty of birds and pathways I chose walking. This shift in perspective is a direct result of my affinity for architectural, street and wildlife photography, providing me with a profound appreciation for the details of life.

'in between'

What would be the most important experience so far that has influenced your steps in photography?

Rather than a single transformative experience, my journey in photography has been shaped by the acknowledgement received from fellow photographers and non-photographers alike. Perseverance has played a pivotal role in improving my skills and fostering a genuine desire to excel in this artistic endeavour.

'openings'

How do you maintain and grow your passion for photography?

Maintaining a delicate balance between work, personal life, and photography has proven to be the key. Photography acts as nourishment for the mind, offering relaxation and becoming a routine that I integrate whenever time permits. The growth of my passion is gradual but consistent. Initially characterized by restlessness and a desire to photograph everything, I've transitioned to a more patient approach, focusing on capturing shots that resonate with my aesthetic preferences.

'the animal (Paredolia II)

Can you please describe in a few words your photographer philosophy?

My philosophy revolves around immersing oneself in the surroundings, engaging with others, absorbing positive energy, capturing moments persistently, and staying true to one's artistic vision. While being open to advice, I emphasize the importance of maintaining individuality and extracting only what contributes positively to personal growth.

'droid'

Why are you so drawn by Architecture and Abstract Photography?

Rooted in my background in Physics and love for Mathematics, I've always been fascinated by abstract sciences and geometric patterns. A deep appreciation (more or less like an OCD) for order and minimalism, coupled with a photographic memory, fuels my attraction to architecture and abstract photography. These genres provide a sense of comfort and align with the inherent geometry and abstraction found in the universe.

'tiles'

What is more important to you, the mood/story behind your images or the technical perfection?

Both elements are integral to my approach. While I am inclined towards storytelling and emotional resonance, technical aspects, particularly the cleanness of photos, also play a crucial role. I don’t usually shoot dirty façades but if there are only a few spots, I just remove them. I take into consideration dirty facades only if the impression of order in a chaos of dots is combined with a pattern of colours. A clean frame, thoughtfully composed elements, and adherence to my subjective aesthetic standards contribute to the overall impact of my work, therefore getting back to the mood.

'stories'

What generally is your relationship to your subject matter beyond being an observer?
Do you prepare carefully the locations where you are intending to photograph?

My approach varies depending on the genre. In street photography, I prefer observing subjects from a distance to capture raw emotions without intrusion, and therefore create a story with the surrounding environment. Getting too close to the subjects will provide you only with forced emotions. People and geometry, especially in abstract and architectural contexts, form my favourite combination. I seldom plan photography locations meticulously; instead, I venture into unfamiliar streets or revisit places, allowing spontaneity to guide my creative process. Some locations are noted during casual walks, while others unfold naturally during unplanned explorations. 

'out for a smoke'

What gear do you use (camera, lenses, bag)?

Initially, I used a Nikon D7100 with 20mm and 105mm lenses. After a few years, I transitioned to a mirrorless 4/3 Olympus system, comprising an Em1 MarkIII with M. Zuiko 100-400mm and a 2x teleconverter for macro, wildlife and aerial photography. Additionally, an Em1 MarkII paired with M. Zuiko 12-100mm serves my architectural, abstract, street and landscape photography. During travels, I opt for the smaller Em1 MarkII system.

'the entrance'

What software do you use to process your images?

Initially, I used Lightroom and Photoshop (only a few times for photo-stacking purposes only), but a switch to Mac operating systems led me to adopt DxO PhotoLab, which I've been using for the past five years. Occasionally, I also incorporate the Topaz Labs software suite when necessary.

'a cave owl'

Can you tell us something more about your workflow?

My editing process involves selecting favourite shots from a set, editing them and revisiting the edited photos for further refinement. The final selection is based on personal satisfaction and contributes to my evolution as a photographer.

'water-slide pool'

What is your most important advice to a beginner in Architecture and Abstract Photography and how do you get started?

For beginners, I recommend exploring the streets, observing architecture and discovering what resonates with them. Find joy and relaxation in specific architectural features or abstract forms. Experiment with different styles, and if drawn towards architecture, focus on composition. Discovering a comfortable composition style is crucial, whether it involves diagonals, corners or the rule of thirds, to name a few. Finding joy in the process and evolving gradually are key aspects of the journey.

'on the spot'

What would be your favourite photo from the last years? Please tell us the story behind it.

One of my favourite photos from last year is titled "a call in the matrix". While attending a conference in Venice, I roamed the streets of Mestre with my camera. A big red façade with one-two windows caught my attention. Positioned about 100-200 meters away, I captured a shot with the 100mm focal length. Beyond the window, a woman spoke on the phone, moving around the room. Patiently waiting, I hoped she would align with one of the open spots in the frame. After a few minutes, she did, and I captured the shot.

This photo holds significance for multiple reasons: its minimalism, the striking red and black combination, partially broken symmetry, abstract qualities open to interpretation, and the fusion of architecture and street elements. The symmetry inspired me to envision the frame as part of a larger matrix, inviting viewers to speculate about what another window in a zoomed-out image might reveal.

'a call in the matrix'

Who are your favourite photographers or mentors whose works have influenced you and your photography?

It might seem unusual, but I don't have a mentor. I haven't taken photography classes or attended workshops. My journey has largely been a process of trial and error – I experiment extensively with the camera. Initially I faced numerous rejections from various magazines and curated galleries. However, these setbacks haven't deterred me from pursuing my own perspective through my lens. Instead of replicating others, I've learned a great deal by observing and engaging with people around me. Participating in photo walks with friends, who have now become an integral part of my photography community, has been incredibly beneficial. We meet periodically, each time spending an entire day together – capturing shots, strolling, discussing, exploring new cityscapes, sharing jokes and enjoying some drinks.

While I don't have a mentor, I do appreciate the works of photography classics such as Vivian Maier, Henri Cartier-Bresson, and, why not, Andrei Tarkovsky. In a recent interview, I mentioned some modern photographers whose works I admire, including Budiman Hardijanto and Fang Tong for their creative fine-art pieces with vibrant static elements; Hans-Wolfgang Hawerkamp and Inge Schuster  for their captivating architectural and abstract works filled with rich colours, contrasts, intricate details, and a touch of mysticism. I also highlighted my appreciation for Carmine Chiriacò's inspired and dramatic cityscapes; Petr Bambousek's  impressive wildlife shots in remote regions, and the exceptional street photography skills of Mirela Momanu, Antonio E. Ojeda and Orna Naor. Peter Svoboda's minimal landscape shots and images featuring tiny figures at a distance, along with Dorin Bofan's minimalist style capturing stunning landscapes, wildlife, and abstract elements in nature, are among my favourites. I've also expressed my admiration for Jörg Heidenberger's surreal and somewhat grotesque-styled photography, and for digital photography, artists like Patrizia Burra, Gus Fine Art, Lara Zankoul and Raul Cantu resonate with me. Eddy Verloes, in particular, captures people's emotions in a minimalist fashion, incorporating abstract photography with smooth textures and dynamic static elements. Lastly, I appreciate Jason M Peterson for his unique black and white minimalist shots.

'a way to climb'

We almost reach the end of this interview and I would kindly ask you to share with us your future plans or photographic projects you would like to be involved in.

I've been quite occupied lately, but I'm hopeful to carve out more free time for photography in the future. While the specifics remain uncertain, I'm considering potential projects like organizing an architectural personal exhibition, getting published in magazines and exploring other opportunities within the realm of photography.

'blending in'

Is there anything else you wish to add and what do you think about 1X as a home base for your work?

In closing, I express my gratitude for this opportunity and acknowledge 1X as a premier platform for showcasing my work. Despite changes in the platform's template, I believe everything has settled well and I commend the team for their efforts in maintaining a top-notch platform.

'the room of a flamingo'