loves to play with colours, shapes and unique perspectives.
His minimal compositions as well as his architectural images are excellent. He loves to walk around in his home town searching for new subjects to create more urban art.
Let's listen to what he has to tell us about his work.
Briefly tell us about yourself, your hobbies and other jobs, Alfonso.
My name is Alfonso Novillo, I was born in Madrid (Spain) and I have always lived here.
I am 45 years old and I started studying photography at the age of 13 at the Institute of Vocational Training and Graduated in the photographic image branch.
Since then, I have always been in contact with the world of photography. As I studied analogue photography, I started quite late to enjoy digital photography.
It was when I bought my first SLR camera.
For the last few years, I began to explore this art which excites me so much, especially architectural and abstract photography. I love architectural photography in either monochrome or colour, especially abstracts and perspectives of all kinds.
I love exercising, going for a run or cycling to clear my mind and I also quite like horror movies, among many other things.
Which are your most important experiences that have influenced your art?
Actually, photography was always a part of my life because I started to enjoy this art when I was very young and fully enjoy it till today.
What first attracted you to photography?
From a very young age I was always struck by photographing buildings. It didn't work so well for me at school especially in mathematics. But when the evaluation was about algebra, I was the best, getting outstanding notes. Therefore, it happened once that the teachers called my parents to take me to a psychologist because they said that I was an exceptional case. I think that mathematics is closely related to the world of photography and our surroundings. They are everywhere in our daily life, in one way or another and they always have struck me.
Why are you so drawn by Abstract & Architecture Photography?
I am lucky to live in Madrid, a city that has grown a lot in recent years. As a result, many buildings and skyscrapers of all kind were built. I took advantage of it, armed with my camera. I love to photograph the whole environment of the city and will not stopping to love it as long as I enjoy it. I love shapes, colours and compos.
What is more important to you, the mood/story behind your images or the technical perfection?
Of course the mood influences a lot. I'm really lucky to be able to photograph what I love the most and to post-process my images till I'm fully satisfied and ready to share them.
Do you prepare carefully the locations where you are intending to photograph?
I am always observing everything around me. I look for curious things and when something catches my eye, I return to that spot in my leisure time. Then I photograph the compositions that I have observed before. I think I'm really privileged since enjoy so much the urban art.
What gear do you use (camera, lenses, bag)?
I still use my first DSLR, a Nikon D7000.I never replaced it by another one and am not intending to do it at the moment. I use my Nikon with various focal lenses: 18-105mm / 11-16mm / 35mm / 50mm / 70-300mm. I also use neutral density filters and sometimes a tripod.
What software do you use to process your images?
I always use, "adobe camera raw" to adjust the photo before processing it in photoshop. I also use some plug ins like NIK colour efex pro and NIK silver efex pro.
Can you tell us something more about your work flow?
I like to photograph in colour, but for linear compositions or perspectives, I go for monochrome. I try to look for some subject which can match a composition. It can be a lamppost or some window for example, so that the photograph speaks for itself. I also find it important to adjust the camera framing in post-processing.
What is your most important advice to a beginner in Abstract/ Architecture Photography and how do you get started?
An important tip is that you acquire a reference of what you are going to photograph. When taking photos, do not despair if the framing of what you want to make is not the most optimal. You can correct it in post-processing. I have numerous photographs that I took, which didn't seem to be OK. But later on, when looking at them again, I can post-process them into excellent images. So, even if you think you have a bad photographic day, you should keep your images for later, realizing that you have what you wanted and processing them to obtain great shots.
Who are your favourite photographers and more importantly, how has your appreciation of their work affected how you approach your own photography?
It would be unfair to name only a few. I have to say that most of the photographers I admire, are here on 1x. When I look at their images, they inspire me every day, they surprise me. I am really amazed by their ingenuity and creativity.
Are there any specific directions that you would like to take your photography in the future or any specific goals that you wish to achieve?
I would like to have more time to travel more often to photograph other cities. That's currently not possible for me. I would love to do in the future. But to be honest, I will settle for what I have right now and that's not little.
Describe your favourite photograph taken by you and why it is special to you?
I am fortunate to think that any photograph that I took and uploaded on the net, is as important to me as any other. They all have their charm and their story.
Is there anything else you wish to add and what do you think about 1X as a home base for your work?
Thanks to 1x, I have been learning every single day. I'm constantly inspired by many photographers. Apart of being such a great source of inspiration, I'm growing day by day and I'm very grateful for that.
Estimado Alfonso, En primer lugar enhorabuena por ser el fotógrafo de la semana y por tus magníficas fotografías. Me encanta además, porque estamos muy cerca, en cuanto al gusto por la fotografía de arquitectura y la fotografía abstracta. Para mi es un placer ver tu galería y compartir tus comentarios, cuando nos publican alguna fotografía de este estilo. Mi admiracion y felicitacion por tus magnificas fotografías, en estos estilos. Un cordial saludo desde San Sebastian. Jois Dear Alfonso, First of all, congratulations for being the photographer of the week and for your magnificent photographs. I also love it, because we are very close, in terms of the taste for architecture photography and abstract photography. For me it is a pleasure to see your gallery and share your comments, when we publish a photograph of this style. My admiration and congratulation for your magnificent photographs, in these styles. Best regards from San Sebastian. Jois
Muchas gracias por tus palabras amigo, el sentimiento es mutuo, un cordial saludo!!
much interesting interview and an inspiring Collection of your work, congratulations dear friend Alfonso and also many thanks to Yvette for her work as an interviewer
Thanks dear Hans-Wolfgang ;-)
Thank you very much dear Hans, for me you are a source of inspiration, much appreciated your review!
Marc Huybrighs PRO
Very interesting interview, with excelente works, rich of beautiful combinations of colours and geometric shapes.. congratulations to the authors!!
Thank you so much Orkidea!
Congratulations for this fine overview of your great work Alfonso. We play in the same league and you ar very inspirational for me. Yvette, thank you for bringing Alfonso to the front page :-)
Thanks a lot dear Luc!
I enjoyed this interview a lot, Luc .... Thanks!
Wayne Pearson PRO
Stunning work Alfonso and a great inspiration, and as always thank you very much Yvette for bringing us Alfonso's work and story.
Theo Luycx PRO
Alfonso and Yvette, Very nice images a nice to read about you Alfonso.
Congratulations with the well deserved feature as Photographer of the week, Alfonso. Thanks for sharing more about you through this interview. Cheers, Yvette
Thank you dear Yvette for this wonderful report, it is an honor for me to share my opinion and my work here! Best regards.