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The making of: 'Descending' by Gerard Jonkman

by Gerard Jonkman

When you're practiced at creating artistic architectural imagery, it's impossible to see a stairway like this one and not jump at the chance to photograph it. The question is: If you were there, would you have just seen a bunch of stairs and walked on by? If you answered yes, this is a must-read.

Nikon D700  .  Nikkor 14-24mmf/2.8  .  14mmmm  .  1/40ss  .  f/8  .  ISO800

The picture was taken in the Museum de Fundatie in Zwolle, the Netherlands, where I had visited a few days prior and noticed this beautiful staircase. It's the staircase to the new exhibition space of the museum, located on the roof of the original neoclassical building. 

On my first visit to the museum, I had only my 24–70mm lens with me, so I wasn't able to shoot a very wide angle. For this kind of image to be successful, only a very wide angle will do, so I went back on a Sunday with my 14–24mm lens. When we arrived the sun was not shining too intensely through the window, so the light was more diffused. I checked my camera settings, adjusting the shutter speed to 1/40 second, the aperture to f/8 for enough sharpness and the ISO to 800 so I could take the picture without using a tripod. 

"It's important to take a much wider picture than what you have envisioned as the final image."

I wanted a dynamic point of view with the curve to the left, and I used the lines of the staircase to further enhance a strong, balanced composition. I had to wait for a few minutes until no one was on the stairs, and then I took the picture. It's important to take a much wider picture than what you have envisioned as the final image. By doing this, you will be able to later rotate the image in post-processing and produce the best composition. The diagonal lines that lead to the different corners of the picture create the balance in the composition. I took a couple pictures and after seeing them on my camera's LCD, I was very pleased because they were exactly what I had in mind. 

I did the post-processing in Adobe Camera Raw and Photoshop CS6. I also used two Nik Software plugins, Silver Efex Pro 2 and Viveza.

Original image

1) In Camera Raw, I made some adjustments to Exposure, Vibrance and Clarity. Then I performed Lens Corrections and exported the image to Photoshop.

2) Using the Crop tool in Photoshop, I rotated the image to the left, making sure there was a dark triangle in the bottom-right corner to anchor the image, and then I cropped it. I sharpened the photo by applying the Unsharp Mask filter (Amount set to 150%, Radius to 1.8 pixels and Threshold to 25 levels). 

3) I exported the image to Nik Silver Efex Pro 2 for the best possible black and white conversion. I wanted to have a black and white picture with clear contrasts and clean walls without texture. In this image, it was most important to decrease Structure to get a clean, white wall. 

4) Next I opened the image in Viveza to optimize the structure, light and contrasts.

The result is a clean architectural photograph that highlights the lines, angles and planes in the staircase. If I were to shoot these stairs again, I would like to introduce a person to the composition, just starting to ascend the stairs from the bottom steps while I am positioned at the top of the stairway. From experience I know that I would need to take a model with me, though. Most often, when people see someone at the top of a staircase with a camera, they stop walking and turn around to leave, thinking they should get out of the way. 
1) Take your time to analyze the building. Walk around to study the facade up close and from a distance. Return to the building when the light is different — sometimes that’s all it takes to discover the nuances of the architecture.

2) Find an element to use in your composition to give your photo some extra tension or alienation.

3) Do not be afraid to take pictures in strange postures or positions. The results can sometimes be very surprising and rewarding.

4) Find strong, graphic lines while shooting and make several pictures, each with a slightly different perspective. Repositioning yourself a few inches further to the left or right can make a world of difference.

5) Make use of reflections on the walls and pay close attention to the lines. It's all about the details.
I was born in 1959, and I live in Raalte in the Netherlands. I am a physiotherapist and a passionate amateur photographer. Modern architecture, concert, sports and street photography are my main interests. I am especially drawn to architectural photography because I appreciate the graphic lines and textures of buildings, and I enjoy using them to create graphic compositions and abstract images.
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Beautiful description Gerard, that location has also affected my heart and affected my censor several times. Fortunately you can be seen here more often.
Thanks for sharing Gerard. I like the result very much.
Thank you very much Gerard, your work is always an inspiration, congratulations!
Lovely b/w image; congratulations, and thank you for sharing your workflow!
I fully share Greetje's comment, Gerard! Cheers, Yvette
Thanks for the nice comment and for publishing the tutorial Yvette.
A very clear stap-to-stap prcedure. The result is amazing. Thank you for charing Gerard. I'm a fan of your work! warm greetings, Greetje
Thanks a lot dear Greetje. Very kind of you. Nice , we are each other fans :) :)