by Yvette Depaepe
Published the 23rd of February 2026

Silvia Dinca is a conceptual and sensitive photographer. Through her work, she creates a personal space in which she expresses her emotions using a visual language that combines reality with subtle elements of surrealism. Rooted in her desire to transcend simple representation, she creates images that convey inner states and personal narratives. She loves to use the double exposure technique to control how reality and imagination meet and complement each other. Her aim is to create images with multiple layers of meaning that encourage reflection. Join me to explore her inner world beyond her photographs in this interview.

'Temporal horizon’

Dear Silvia, I would like to thank you for taking the time to answer this questionnaire. Could you please start by introducing yourself briefly, telling us about your hobbies, and describing any other projects you are involved in?

Firstly, I would like to thank the editorial team, especially Yvette, for this invitation. I am very grateful for the opportunity to participate in this interview.
By profession, I am an economist and I currently work as a finance manager for a multinational company based in Bucharest, Romania. In my spare time, I enjoy travelling and discovering new places, and I have a deep appreciation for nature, wildlife, the sea and people. Landscapes and human presence both inspire my creative vision and influence the stories I choose to tell through my images.

‘Preserved’

When and how did you begin your journey in photography?

At the beginning of 2015, I was filled with questions about the meaning of life following the sudden loss of a dear friend. During that difficult time, I felt the need to create something that truly represented me and enabled me to express my emotions differently.
I bought my first camera as a result, which marked the beginning of my exploration of the world and my search for an artistic way to express myself beyond words. In September 2015, I graduated from RGB Photography School, where I was taught by the remarkable Răzvan Buluș. Since then, photography has quickly become much more than a hobby. It has become a way of life.

‘Remember the time’

For many of us, photography is a hobby or a way of life. So, how would you describe your relationship with photography?

For me, photography is a way of being and connecting with the world around me. Over time, it has become a means of interacting with the world around me. It is a space through which I observe, feel and transform emotions into images. This process energizes me, bringing balance and meaning to my life, and giving me peace.

‘Imperfect’

Which experience has had the greatest influence on your journey in photography so far?

My travels in Africa in 2016 (Madagascar) and 2017 (Tanzania and Zanzibar) were a pivotal moment in my photographic journey. The authentic essence of these destinations and the people I encountered there left a profound mark on me and my creative world. This transformation was later reflected in my photographs, guiding me increasingly towards clarity and inner peace.
The pandemic brought new challenges, pushing me to find alternative ways of creating images due to limitations on movement and travel. It was then that I began exploring conceptual photography, which immediately captivated me and became the most accessible form of artistic expression at that time.
Through this process, I discovered a universe of endless possibilities for creating and conveying the complexity of ideas and emotions through visual expression. This discovery continues to fascinate me.

‘Dream on’

Describe your vision as a photographer.

Through photography, I create a personal space in which I express emotions through a visual language that combines reality with subtle elements of surrealism. My vision is rooted in the desire to transcend simple representation and create images that convey inner states and personal narratives.
I frequently use the double exposure technique to control how reality and imagination meet and complement each other. My aim is to create images with multiple layers of meaning that encourage reflection.

‘Butterfly’

The mood and composition of your fine art and conceptual portraits are exceptional! What is your secret, and what draws you to this genre?

Thank you very much for your appreciation.
Artistic language gives me the freedom to create compositions that open up an emotional and expressive space. Rather than providing answers, this type of photography aims to raise questions and encourage reflection.
I am drawn to conceptual and portrait photography by the possibility of exploring the depths of human emotion and transforming inner experiences into meaningful images. My creative process is grounded in connection with the subject and a constant desire to tell authentic visual stories.

‘Imagine’

In your opinion, what are the main features of a successful portrait photographer?

Portrait photography requires the ability to establish a connection with the subject, an in-depth understanding of human nature and the sensitivity to capture emotions through artistic expression.

‘Missing me’

Could you tell us more about your creative process, from initial idea to finished product?

Before each photoshoot, I outline my ideas and concepts to provide a starting point, guided by the location and choice of model. However, the essence of my work is often formed intuitively during the shoot itself. I am deeply influenced by the model’s personality, the connection that develops between us and the way in which space, atmosphere and the creative elements or accessories I have at hand come together.
The final image takes shape during the selection and editing stage. I prefer minimal editing to preserve the essence of the frame, mainly using Nik Collection. This is when the story gains coherence and the photograph reaches its final visual expression.

‘Absorbed’

Where do you find inspiration for the visual stories you want to tell? What inspires you?

My inspiration comes from a combination of personal experiences, inner reflections and significant life events. The artistic influences I have gathered over time, such as photography, literature, film and music, also shape the way I develop my creative vision.
I am particularly inspired by emotions and inner states because they transform the way we perceive reality. In my work, I use symbols and visual metaphors to give my images depth and meaning. These elements help me to create authentic visual stories with multiple layers of interpretation.

‘Amalgam’

Many people believe that gear is unimportant if you're passionate about photography. Could you please tell us what equipment you use, such as your camera, lenses, lighting and tripod?

I am currently using a Canon EOS M50 II Mirrorless 24.1MP, together with EF-M 15-45 mm + 55-200mm F/3.5-6.3 lenses.

‘In between us’

Which is your favourite photo? Please tell us the story behind it.

My favourite photo is 'Embracing Life', as it encapsulates my personal journey and all the stages that have shaped me. It conveys the way I have come to accept my path, with its delicate balance of light and shadow.
To me, this image symbolises having the courage to embrace life as it is, and to accept everything it offers. It inspires a sense of calm and inner freedom, and reminds me to be grateful for the present moment and the lessons that every experience brings.

‘Embracing Life’

Which photographers or mentors have influenced you the most?

The photographers who have influenced me the most are Sebastião Salgado, whose profound empathy and impressive humanitarian images of Africa have inspired me; Richard Avedon, whose creative portraits are full of emotion and psychological depth; and Helen Levitt, whose unique ability to capture the authenticity of human experience and the dynamism and creativity of children in New York has inspired me.

‘Early morning’

As we're coming to the end of this interview, could you tell us about any photography projects you'd like to be involved in?

In the future, I would like to spend more time working in the studio and developing a project that explores studio lighting. I also aspire to hold a solo exhibition and publish a photographic album.

‘Into the light’

Is there anything else you would like to add? What are your thoughts on using 1X to showcase your work?

For me, 1X is an exceptionally valuable platform that has given me the opportunity to interact with photographers whose work I admire and who inspire me. The feedback I have received here has been invaluable for my artistic development, encouraging me to continue creating, exploring and refining my vision.

‘Dreambound’

‘Past echoes’

‘Behind the memories’

‘Mirroring’

‘Sad on you’

‘Red Dream’

‘Treshold’

Many thanks, dear Silvia ...
It's a honour to have your interview in the 1x magazine.