How I made: Life after death
 
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Nicolas Marino  Forum moderator
Posted 5 months ago
Nikon D700, Nikkor 14-24mm f2.8. Exposure: 25",  Aperture: f/2.8, Focal Length 14 mm,  ISO 1600 . Super light Manfrotto traveling tripod (carbon fiber), cheapo remote trigger. 


(1) CONTEXT

This photo was taken at the shore of Kyering Tso, an immense and very remote crystal clear blue lake on the Tibetan plateau at 4380 mts (14370ft) above the sea level.At the time of shooting, the temperature had plummeted to -12C (10F). It took a massive amount of effort to reach this lake and its immediate brother lake Ngoring tso, by bicycle. There is no public transportation of any kind to reach these far lands, as the roads are completely shattered and they only lead to even more remote regions. Only masochist cyclists, Tibetans on cheap Chinese motorcycles and very few people with a strong sense of adventure riding SUV's reach this place. 


(2) THE PICTURE

There were several challenges here. Technical, compositional and subjective. The technical had to do mainly with the freezing cold and the almost absolute darkness, the compositional with the huge size of the lake and how hard to control it within the comp was and the subjective with how extremely tired and cold I was at that time of the night after having cycled an incredibly extreme journey to get there. (by that day I had cycled almost 1200km and had spent over 10 days going up and down shit roads between 4200mts and 5000mts above the sea level) 

The cold was having a strong impact on the batteries' performance, so I had to swap them every few shots to warm them up under my armpits (this alone made my whole body cold). Even though you see a lot of clarity here due to the long exposure and the moon, it was extremely dark and I was operating everything with my head lamp. The darkness made composing very difficult. The size of the lake is so big that it is not easy to find the right place to have elements that lead the eyes into a harmonic composition. After walking the shore for a while I found this place where the shore took a reasonable turn and that turn would be the major composition line that would lead the eyes IN. I had one huge advantage, those clouds and no wind. At that time, the massive snowstorm that had caught me hours earlier on my bicycle was slowly retreating giving way to the stars while preserving a real spectacular shape. The air stood still and that is why, even though exposing for 25" most of the clouds are not stretched. Also, a fair amount of wind would've made it very tough for my super light manfrotto tripod to keep the camera firm.

One more thing was missing, a subject, a story. While walking down the shore I found this dead yak's skull and I immediately picked it up and dragged it all over to make it my main subject. The whole scenario became extremely poetic with it. I was in Tibet where reincarnation is the main belief, I had that massive storm retreating (death had left) and the stars together with the moon would shine (life is back), the skull, the idea of life, death, reincarnation are left to the viewers' imagination.  

The technicals. The choice of 25" is deliberate. 25" is a shutter speed that allows a lot of light to go in the sensor so you can push your ISO as low as possible, which is always desirable when shooting at night, while leaving the stars almost static. 30"seconds or more and they would have started leaving trails and that is something i did not want. An aperture of f2.8 is also a must for the same ISO issue, and the trick to preserve maximum sharpness across the frame is to set the camera to manual focusing and focus on infinity. Bear in mind that the infinity mark is not necessarily the perfect infinity point, on my Nikkor 14-24mm this is a little before it,, so make sure you experiment with your lens. The choice of 14 mm as focal length was intended to give the viewer a real sense of the depth and vastness of the place.


(3) PROCESSING

PC, Intel Xeon 2.4 ( 2 physical processors, each Quad core), 6gb ram, Nvida Quadro 1000 2gb ram. Dell U2410 calibrated with Spyder 3 Pro. Wacom Intuos 4. OS: Windows 7 64-bit. Lightroom 3.4 + Photoshop CS5 + Nik Viveza, Raw conversion using Nikon DX2 Mode 3 color profile. 

In LR I adjusted the WB, the camera had picked up a lot of the yellow of the moon and this was not conveying the extreme coldness of the night which was more on the blue side of the spectrum. The rest of the editing was within Nik Viveza in Photoshop CS5.

Viveza allows me to both globally and selectively control contrast, brightness, structure and saturation. After globally adjusting contrast and brightness, I selectively added structure to all of the sky, this makes the millions of stars that are there pop-up even more. The bottom of the clouds and the space between clouds and lake have a bit of dodge and burning ever so slightly to accentuate the storm. The exceptional low-light performance of the D700 made it almost unnecessary to use noise reduction, it has only a little bit. 

(4) OUTCOME

I am extremely happy since this was officially the first time I started experimenting with night and stars photography

(5) HINTS 

- Learn to focus manually at infinity. Find the infinity spot in your lens. 
- Be rigorous when it comes to know your gear, its strengths and its limitations. 
- practice thoroughly and do your homework before the real deal. When you are under such harsh circumstances it is certainly not the time and the place to experiment with things you could have done at home.

(6) BIOGRAPHY

Originally from Argentina, I am a 33 years old architect and have been on the move for the last 6 years. I travel the world by bicycle and have settled and lived in different places since I left home. I am mainly interested in reaching the most remote regions of this world and photography comes into my life as a result of a strong desire to portray what I see, for myself, for the people I love and for whoever is interested in learning about the life in places sometimes so radically different from ours.
 
Posted 4 months ago
GREAT TUTORIAL NICOLÁS!!

I had many technical doubts about this picture and you have solved most of it, in this tutorial. I had thought you had put in scene that skull, in order to strengthen the composition and i am pleased to know the story behind the moment of shooting.

I wanted to ask: Was necessary a neutral density filter?. did you use GND o ND?

Excellent picture. My Greetings from Colombia. 

By the way, you should visit our Country.


Gran tutorial Nicolás!.

Tenía muchas dudas técnicas sobre esta fotografía y las resolviste casi todas. Había pensado que te había tocado buscar ese cráneo para fortalecer la composición y fue agradable comprobarlo y conocer la historia sobre el momento de la toma.  

Quería preguntarte: Fueron necesarios filtros de densidad neutral (GND o ND)?.

Excelente foto. Mi saludo desde Colombia. 

Por cierto, deberías visitar nuestro país.
 
Posted 4 months ago
Thanks a lot for this extremly interesting tutorial. Very complete indeed.

I have so many things to learn !...and when I think I have the same camera as you....I feel ashamed about my landscapes  
:-)))))

Marie-Claude

 
Posted 4 months ago
... where is my bike? ... 

Wonderful tutorial, Nicolás (correct accent this time)!

Just a small remark on the noise levels... under these freezing conditions, electronic systems become even less noisy...
 
Posted 4 months ago
Excellent tutorial Nicolas. I was keen to learn more about how you went to work to produce this enchanting image, and it answered all my questions ... and more.
 
Posted 4 months ago
Nicolas, thanks so much for your interesting tutorial on this extraordinary photo!
Between the lines on technics, it also reads like a chapter out of an adventure-book and I love that too:)
 
Posted 4 months ago
Thank you very much Nicolas for allowing us into your thinking and practice. It is a beautiful image! :)
 
Nicolas Marino  Forum moderator
Posted 4 months ago
PAUL GS wrote
Was necessary a neutral density filter?. did you use GND o ND?
Thanks a lot Paul and I'm glad you liked it!  :) 

No, you don't need to use filters at all, this would only make the situation worse because you would have to increase the shutter speed time to capture the same amount of light and this will make the stars leave their trails and most important, you would have to bump up the ISO and you always want to keep it to the minimum.
PAUL GS wrote
Por cierto, deberías visitar nuestro país.
Y crees que ya no he visitado mi país favorito de Sudamérica? :)  Un mes y medio viajé en 2005, desde el Tayrona hasta el santuario de Santa María de las lajas en Ipiales. Parando en todo el camino, Cartagena, 'quilla, Medellín, Pereira, Manizales, Bogotá, Popayán, San Agustín, Tierra Adentro, Pasto. Por lejos mi país favorito en nuestro continente. San Agustín y Tierra adentro me dejaron boquiabiertos!.
Lo único que me dió tristeza fue que me asaltaron en Popayán y me robaron mi cámara de film y los films que había tomado en todo el sur. :(  Pero siempre tengo intenciones de volver! 
 
Nicolas Marino  Forum moderator
Posted 4 months ago
Frédéric Verhelst (Papafrezzo) wrote
Just a small remark on the noise levels... under these freezing conditions, electronic systems become even less noisy...
Absolutely right Fred. Thanks for reminding me of this! Frédéric (I get the accents right too, you see? ) hehehe 
 
Guido Brandt  Book editor
Posted 4 months ago
Hello Nic (avoiding the accents),

great tutorial and image - congratulations.
 
Posted 4 months ago
many thanks for Great tutorial :)
 
Posted 4 months ago
Thanks for your tutorial Nicolas.
 
Posted 4 months ago
A good write up Nicolas but what is this infinity focusing all about... :-) I need to read up on it I guess.

Nicolas Marino wrote
Viveza allows me to both globally and selectively control contrast, brightness, structure and saturation.
Just a thought, you could do all the above in the RAW file using Nikon's Capture NX2 if you so desired.

Useful tutuorial though as I haven't gotten into night or very low light photography yet, usually because I like to be in the pub by the time its dark......

JP
 
Nicolas Marino  Forum moderator
Posted 4 months ago
John Parminter wrote
RAW file using Nikon's Capture NX2 if you so desired.
Indeed you can John, because of the U-Point technology Capture NX has, and that would be the only feature I appreciate in that horrible software Nikon is so stubborn in keeping. That U-point technology is very similar to the one on Nik's products only difference is that in terms of speed, flexibility, reliability and performance Nik's is aeons ahead. 
John Parminter wrote
I like to be in the pub by the time its dark......
you can shoot afterwards, I know the stars will all look blurry to you and it won't be a focus problem ! haha 
 
Posted 4 months ago

Nicolas Marino wrote
horrible software Nikon is so stubborn in keeping.
I must be the only person that actually likes it....
 
Posted 4 months ago
Thanks for the tutorial, bravo to your efforts!  
Just found out you live in Chengdu which is my home town. I have one question, as a foreigner, is it allowed to go Tibet freely? 
 
Posted 4 months ago
I'm really happy it's you on that bike and not me.... I would definitely go for the SUV, hopefully with a working heater  :-)
But ... what an adventure ....and what a fantastic picture!!
Thank you for sharing.

 
Posted 4 months ago
Nicolas Marino wrote
Y crees que ya no he visitado mi país favorito de Sudamérica? :)  Un mes y medio viajé en 2005, desde el Tayrona hasta el santuario de Santa María de las lajas en Ipiales. Parando en todo el camino, Cartagena, 'quilla, Medellín, Pereira, Manizales, Bogotá, Popayán, San Agustín, Tierra Adentro, Pasto. Por lejos mi país favorito en nuestro continente. San Agustín y Tierra adentro me dejaron boquiabiertos!. Lo único que me dió tristeza fue que me asaltaron en Popayán y me robaron mi cámara de film y los films que había tomado en todo el sur. :(  Pero siempre tengo intenciones de volver! 
Me alegra saber que tu bicicleta y tu cámara han recorrido mi Colombia. No sabes cuanto. 

Por lo que me dices, tú conoces mucho mejor Colombia que yo jajajajajaja.  

De otra parte, lamento mucho ese infortunado suceso. La inseguridad ronda muchas localidades de Colombia, pero en los últimos años hemos ido mejorando en ese tema. Espero que cuando vuelvas nos brindes muchas de tus grandes fotografías, y si tengo suerte, pueda invitarte una cerveza en Bogotá.

Mis mejores deseos Nicolás. Keep Shooting!!!!

-------
I am Glad to know that your bike and your camera have visited my Colombia. You do not know how much.

Because what you said...I think you know Colombia... better than I ... LOL.

On the other hand, I'm sorry about that unfortunate event. Although Insecurity is present in many locations in Colombia, in recent years we have been improving on that topic. I hope that when you come back, you give us many of your amazing pictures, and if I have luck, I would like to invite you some beer at Bogotá.

My Best wishes Nicolas. Keep Shooting!!

 
Nicolas Marino  Forum moderator
Posted 4 months ago
I'm glad you like the tutorial Yan
Yan L wrote
Just found out you live in Chengdu which is my home town.
 ni huo laozi oh? wo bu xiaode ni shi sichuan ren !! ;)   Chengdu feels like home to me :)))  except for the lack of sun, I love to bits living here :)
Yan L wrote
as a foreigner, is it allowed to go Tibet freely? 
not in the Tibet Autonomous Region, for that hen mafan ! but in Chuanzang gaoyuan and Qingzang gaoyuan there is no problem and these regions of the tibetan plateau have a lot more concentration of Tibetan culture and a lot more amazing and remote landscape, so I'm glad they are not closed to foreigners. As you know, in Chengdu we are only a step away from the magnificent plateau and I cycle there every week-end and every chance I got
 
Posted 4 months ago
Thank you so much for the tutorial Nicolas, the story behind is as impressive as the picture, you make me longing to such cycle adventures, although I would never do these kind of trips alone......

Best regards
Jan
 
Posted 4 months ago
txs for the indepth 'how I did this...' I had it down for multiple exposures and possibly a composite as well - always good to learn :)
 
Posted 4 months ago
Hi Nico, thanks so much for this very interesting and instructive tutorial. 

As a bike traveler too I strongly believe that the more your day had been difficult (effort, weather, gear problems...) the more you appreciate what you get at the end of it. I know how hard it must have been to walk in the cold darkness after having settled your tent, how hard it must have been to manage those technical, compositional and subjective aspects you're describing with such accumulated fatigue. But above all I know how pleasurable it must have been then to achieve such a superb photography. 

By the way, I was wondering what kind of photography gear you carry with you when you cycle. I can see in your different photo Exif that you use several different lenses. I personnaly also have a D700 and when I cycle I only carry my Nikkor 24-70 f/2.8 which is pretty big and heavy. I see that you have a light tripod what else do you have? I like to travel light and I would appreciate any photocyclist or cyclophotographer's tricks and advices.

Continue sharing your photography and your knowledge it is very instructive.

Cheers!!!
 
Dinu Bodescu  Book editor
Posted 4 months ago
An excellent tutorial, very clear and superbly narrated, I have read it without stopping - from the beginning to the end! I was actually asking myself how such a wonderful image can be taken and then edited... the replies were already here... And also, your biking journeys witness much courage and perseverance!

Thank you for sharing all these with us, Nicolas!
 
Posted 4 months ago
Buenisima la photo y fantastico Tutorials. 
 
Nicolas Marino  Forum moderator
Posted 4 months ago
Stéphane Pagani wrote
By the way, I was wondering what kind of photography gear you carry with you when you cycle. I can see in your different photo Exif that you use several different lenses. I personnaly also have a D700 and when I cycle I only carry my Nikkor 24-70 f/2.8 which is pretty big and heavy. I see that you have a light tripod what else do you have? I like to travel light and I would appreciate any photocyclist or cyclophotographer's tricks and advices.
Hi Steph! sorry for the late reply, I know exactly what you mean about the weight of that combination. 

I will give you a quick description of what I take, but I think you will like to know that I am right now working on a article about cycling and photography. It will hopefully be published in a great photography site. I will keep you posted. 
 But here's is what, after lots of experience, trial and error, take. I have a lowe pro outback 100. In that one I take the D700 with any of my lenses. This always hangs over my shoulder crossing my chest. This way I have quick access to it whenever I stop for shooting. 
 For the rest I have re-adapted my  Ortlieb Ultimate handlebar pannier to take the two remaining lenses + SB-600 + Polarizer and a couple more things. Chargers + umbrella go in one of the other panniers and the tripod I tie it to the Tubus Cargo, next to the drybag which is relatively soft. 
In total I take D700 + 24-70 f2.8 + 14-24 f2.8 + 70-300 VR + SB-600. It is an awful lot of stuff but it pays off in the end. For the super long trip I am planning in the future, I will go only with primes. These trips are relatively short so I can afford the extra weight. 

As I said, I will hopefully have an in-depth article on how I take all this soon. I will definitely let you know :) 
 
Posted 4 months ago
Hi Nico,

Thanks for your response.
Nicolas Marino wrote
but I think you will like to know that I am right now working on a article about cycling and photography. It will hopefully be published in a great photography site. I will keep you posted. 
I am definitely looking forward to read that article. 

You really carry a lot of stuff but indeed when I look at your photographies it seems to be worth it. Not that the gear makes the photographer but carrying a tripod for example seems essential on certain circumstancies. 

When I cycled around Iceland 6 years ago, I didn't know much about photography and I had an old heavy film camera with three lenses and a video camera. I had a 50mm F1.4, a 28mm f3.5 and a 105mm, which are really not adapted for landscape photography I intended to do. I came back from that trip with really bad photographies. 

Since then I bought my D700 with some good lenses but after my Icelandic "heavy" experience I try to get rid of any extra gramms on my bike. After reading your tutorial and your reply to my message I am starting to think that maybe I should consider photography more as a part of the trip. As I am a long effort addict (I compete in marathons and ultra-marathons races) I use to consider cycling travels as a sport challenge and try to accumulate as much kilometers a day and be as exhausted as I can. That is a big problem I have, I sometimes miss a lot of things like that. I should certainly take more time to meet people and photography. 

So yes, I am definitely looking forward to read your article.

Thanks.

P.S. What long trip are you planning to do?


 
Posted 4 months ago
Nicolas Marino wrote
As I said, I will hopefully have an in-depth article on how I take all this soon. I will definitely let you know :) 
Stéphane Pagani wrote
So yes, I am definitely looking forward to read your article.
Hi,
I kept following your "conversation" silently so far, but the last two posts made me comment as well...
I truly admire the picture, the story behind it and you, for being bodily fit and courageous enough to go to such places, just with your bike and all that equipment. For me the fitness ship has most, most probably sailed but sometimes I'd really like to just do a bike excursion to some interesting places and take some photos of these.
So I#m really looking forward to reading your article as well!
Thanks for this picture and tutorial,
have a good day,
Max
 
Posted 4 months ago
Hi,
I'm glad you wrote this tutorial. Very complete and "mood creator".

But i still have one question: i am a bit surprised to see the skull in relative focus give the fact that you focused to infinite and used F2,8. How far was it from the camera? I know that the focal of 14mm is a big factor, but is there something else involved?

Thanks,
Radu
 
Posted 4 months ago
Hao! Hao! Hao! Hao! The picture, the message, the effort, and the toruail are all impressive. My reading: The skull represents the temporary world while the stars hint eternity; the skull shows death, while the bright star above suggests new birth. Aesthetical, philosophical, yet natural. Zan   
 
Nicolas Marino  Forum moderator
Posted 4 months ago
Radu R. wrote
But i still have one question: i am a bit surprised to see the skull in relative focus give the fact that you focused to infinite and used F2,8. How far was it from the camera? I know that the focal of 14mm is a big factor, but is there something else involved?
Hi Radu, I'm glad you liked it. :) 

Well, there's two things here. You see the skull in relative focus because of the small size of the photo. Having reduced it helped a lot, the big one is not so sharp. It's ok, but not tack sharp. 
14mm does help too, BUT, this is not due to the f2.8 aperture, this is due to not focusing properly at that time. At 2.8, focused on infinity the results are pretty sharp all over, give it a try and you'll be impressed. 
 
Posted 4 months ago
nice descriptions, and with great results
but then it was probably not Haarder and get there :)
it's just for fun
 
Posted 3 months ago
Wonderful tutorial Nicolas! Thanks for sharing all the great details.
 
Posted 2 months ago
Nicolas, 

That's a great article and I applaud the effort you have put in to get such an image. Hard work always pays. I am curious to know what other kind of experiment you tried after you got this image. You made a point that you did not want to go beyond 30" as it may lead to star trials. But did you try for the star trials at all? If I try to visualize this image with the star trials, that also may turn out to be a great image. Probably a longer exposure to get longer star trials. 

Regards,
Sudhir
 
Nicolas Marino  Forum moderator
Posted 2 months ago
Sudhir Shivaram wrote
But did you try for the star trials at all? If I try to visualize this image with the star trials, that also may turn out to be a great image.
thanks so much Sudhir!  

well, I didn't try to experiment much after this because it was -12C and i had been cycling an incredibly hard road to get there so I was pretty much out of energy. You are right, capturing star trails would've been another great experiment. There are a couple of reasons why I didn't do it. First I think it's because they became too cliché. I still like them A LOT but I wanted to portray reality and not alter it, i.e we see the stars like this, not with the trails.
Also, I still don't know how to find the center of rotation, so I would've been randomly choosing wasting time and still not finding the circle of trails. 
Another reason has to do with the limitations. I was cycling in very remote regions so access to electricity was extremely limited, thus I wasn't able to play long with my only two batteries because that would put at risk so many other shooting opportunities i couldn't afford to lose. Plus, in such cold weather, batteries wear out a lot faster than in regular conditions. 

Thanks a lot for your comments and suggestions :) 

 
Posted 1 month ago
Excellent picture and an absolutely amazing tutorial.... love it!!!
 
Posted 4 weeks ago
Appreciate all your effort and thanks for sharing such an wonderful composition here. This is definitely an inspiring image for all of us here.
 
 
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